9-11 Significance
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Survivor of 9/11 attacks describes his harrowing escape from 105th floor of the World Trade Center
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The inspiring protest movements in Tunisia, Egypt, Libya, Syria and elsewhere are uninterested in taking their region or their religion back in time, as Bin Laden advocated. As they push autocratic leaders to the side, they seek a political state close to democracy, certainly not a Caliphate. The protesters, connected to the internet and the modern world, don't define themselves as being separate. They see the gap in political, economic and social development that exists with the rest of the world and want better. They want opportunity, within a religious framework that is not yet fully defined, but open to debate, not closed by dogma. Over the past decade, international co-operation and co-ordinated action have reduced, if not eliminated the threat.
Networks that engage in or support violent extremism are under pressure, but they remain dangerous. From Yemen and Somalia to Pakistan and the Maghreb, these groups could take advantage of chaos or disillusionment if the ongoing Arab transition fails to deliver real results. It is politically tempting after Bin Laden's demise to declare victory, but the job is not done. Building up a global immune system to fight this disease will take more than a decade. It will take a generation. The twin towers collapsed oceans and miles away from Afghanistan — at that time a country that looked like a graveyard, whose people were still suffering from war, discrimination and humiliation.
In , a small battery-run radio was the only means of communication in most of the country. Many Afghans felt that the US attack may mark the beginning of the end of the horror we were experiencing. Many felt good may come from what the United States had experienced, not because they are sadistic, or take pleasure in the death of others, but simply because they thought that the world powers will only understand our suffering if they experience it themselves.
Hundreds and thousands of Afghan once again had to flee their homes, as they feared being hit by US bombs. As terrorists and all who collaborated with them were targeted, the fear of B52 war planes persuaded many warlord commanders to shave or shorten their beards and dress like democrats in black suits — but as we have subsequently seen, many of them remained the same on the inside. First bombs and then political settlements followed the events. In Bonn, Germany, most of the active Afghan actors gathered to agree on power sharing and the only two groups who felt unrepresented there later became the ones who cause most of the troubles.
Ten years on, it would be unrealistic to ignore the tremendous level of progress that Afghanistan has made thanks partly to the international community and partly to the determination of Afghans themselves, who chose to work rebuilding and recreating Afghanistan again. From paved roads to girls going to school, to historical record-breaking media development, there have been positive developments. However, the war — never the choice of the Afghan people — has done great harm to our people for all sorts of different local, national, regional and international reasons. Widespread corruption, the massive arming of militias, the fuelling of war by neighbouring countries, the civilian losses and night raids and deterioration of security have all undermined our children's education, out women's ability to work, our ability to provide basic social services to the neediest part of population.
Overwhelming dependency on foreign aid is still a challenge for Afghan people who would like to make their country stand on its own feet and live life peacefully. Within an hour of the second plane striking the twin towers in New York I was filing a piece for the Guardian. What I wrote was widely criticised at the time by kneejerk, laptop warriors because, while placing the blame for the atrocity squarely on the Bin Laden-inspired Salafists who turned out indeed to be the culprits , I argued that the planes didn't come out of a clear blue sky but emerged from the swamp of hatred the west had sown over many years. I drew attention to our double standards and the injustice we had perpetrated and facilitated throughout the Muslim world.
I identified — in the article, and in a speech a few days later when the House was recalled — our role in the Palestinian catastrophe and the propping up of the dictators who ruled almost all of the Muslim world as being the twin reasons that some enraged Muslims were being drawn to Bin Laden. I argued that for as long as Muslim blood and freedoms were regarded more cheaply and more dispensable than the west's own wellbeing we would face a deepening confrontation with the near 2 billion-strong Muslim world.
And we have. I underestimated the extent to which our own people would rise up against the failure of western policy towards the east, and also the damage that this and the subsequent militarised mendacity would do to the whole credibility of governance in countries such as our own and the United States. Now scarcely anyone believes the state whatever it says, on terrorism, war, freedom of information, climate change, even when the governments are telling the truth.
It is the final vindication of the great Claud Cockburn's famous dictum "believe nothing until it has been officially denied". George Galloway is the vice president of the Stop The War coalition. It's tempting to think that the aftermath of September 11 was felt largely Out There: in Washington, say, or Kabul. Places like Norway. Or Britain. Hours before he began his killing spree this summer Anders Behring Breivik posted a 1,page manifesto. An uncontrollable, spirling feeling you feel coming up your throat. Oftentimes, when we experience loss, we beg for the "one mores". One more hug, please. Can I have one more kiss? Just one more laugh we can share? We wish for these experiences to just happen once more as if that would ever be enough.
The reality is that even if we were privileged with one more, we would want another. And another. We'd never be satisfied. We'd eventually just wish for eternity. Loss is necessary. Loss is natural. Loss is inevitable. Loss was never defined as easy. In fact, it has to be hard. It has to be hard for us to remember. To remember those warm embraces, to remember the feeling of their lips on yours, and to remember the smile on their face when you said something funny. But why are we so afraid of loss after all? We are so blessed to have experienced it to begin with.
It means there was a presence of care. That ache in our heart and the deep pit in our stomach means there was something there to fill those vacant voids. The empty spaces were just simply whole. We're all so afraid of change. Change in our love life or our families, change in our friendships and daily routines. One day we will remember that losing someone isn't about learning how to live without them, but to know their presence, and to carry what they left us behind. For everything we've deeply loved, we cannot lose. They become a part of us. We adapt to the way they talk, we make them a part of our Instagram passwords, we remember when they told us to cook chicken for 20 minutes instead of We as humans are so lucky to meet so many people that will one day leave us.
We are so lucky to have the ability and courage to suffer, to grieve, and to wish for a better ending. For that only means, we were lucky enough to love. When Sony announced that Venom would be getting a stand-alone movie, outside of the Tom Holland MCU Spider-Man films, and intended to start its own separate shared universe of films, the reactions were generally not that kind. Even if Tom Hardy was going to take on the role, why would you take Venom, so intrinsically connected to Spider-Man's comic book roots, and remove all of that for cheap action spectacle? Needless to say I wound up hopping on the "lets bash 'Venom'" train. While I appreciated how much fun Tom Hardy was having and the visual approach to the symbiotes, I couldn't get behind the film's tone or story, both of which felt like relics of a bygone era of comic book storytelling that sacrificed actual pathos for that aforementioned cheap spectacle.
But apparently that critical consensus was in the minority because audiences ate the film up. On top of that, Ruben Fleischer would step out of the director's chair in place of Andy Serkis, the visual effects legend behind characters like 'The Lord of the Rings' Gollum and 'Planet of the Apes' Caesar, and a pretty decent director in his own right. Now with a year-long pandemic delay behind it, 'Venom: Let There Be Carnage' is finally here, did it change my jaded little mind about the character's big-screen worth? Surprisingly, it kind of did.
I won't pretend that I loved it by any stretch, but while 'Let There Be Carnage' still features some of its predecessor's shortcomings, there's also a tightness, consistency and self-awareness that's more prevalent this time around; in other words, it's significantly more fun! A year after the events of the first film, Eddie Brock played by Tom Hardy is struggling with sharing a body with the alien symbiote, Venom also voiced by Hardy. Things change when Eddie is contacted by Detective Pat Mulligan played by Stephen Graham , who says that the serial killer Cletus Kasady will talk only with Eddie regarding his string of murders.
His interview with Kasady played by Woody Harrelson leads to Eddie uncovering the killer's victims and confirming Kasady's execution. During their final meeting, Kasady bites Eddie, imprinting part of Venom onto Kasady. When Kasady is executed, the new symbiote awakens, merging with Kasady into a bloody, far more violent incarnation known as Carnage. It's up to Eddie and Venom to put aside their differences to stop Carnage's rampage, as well as Frances Barrison played by Naomi Harris , Kasady's longtime girlfriend whose sonic scream abilities pose a threat to both Venom and Carnage.
So what made me completely switch gears this time around? There's a couple reasons, but first and foremost is the pacing. Serkis and screenwriter Kelly Marcel know exactly where to take the story and how to frame both Eddie and Venom's journeys against the looming threat of Carnage. Even when the film is going for pure, outrageous humor, it never forgets the qualms between Eddie and Venom should be at the center beyond the obvious comic book-y exhibitions. If you were a fan of Eddie's anxious sense of loss, or the back-and-forth between he and the overly eccentric Venom, you are going to love this movie.
Hardy has a great grasp on what buttons to push for both, especially Venom, who has to spend a chunk of the movie contending with losing Eddie altogether and find their own unique purpose among other things, what is essentially Venom's "coming out" moment that actually finds some weight in all the jokes. Then there's Harrelson as Carnage and he absolutely delivers! Absolutely taking a few cues from Heath Ledger's Joker, Harrelson is leaning just enough into campy territory to be charismatic, but never letting us forget the absolutely shattered malicious mind controlling the spaghetti wrap of CGI. Serkis' directing itself deserves some praise too. I can't necessarily pinpoint his style, but like his approach on 'Mowgli,' he has a great eye for detail in both character aesthetics and worldbuilding.
That goes from the symbiotes' movements and action bits to bigger things like lighting in a church sequence or just making San Francisco feel more alive in the process. As far as downsides go, what you see is basically what you get. While I was certainly on that train more here, I also couldn't help but hope for more on the emotional side of things. Yes, seeing the two be vulnerable with one another is important to their arcs and the comedy infusions work more often than not, but it also presents a double-edged sword of that quick runtime, sacrificing time for smaller moments for bigger, more outrageous ones. In addition, while Hardy and Harrelson are electric together, I also found a lot of the supporting characters disappointing to a degree.
Mulligan has a few neat moments, but not enough to go beyond the tough cop archetype. The only one who almost makes it work is Naomi Harris, who actually has great chemistry with Harrelson until the movie has to do something else with her. It's those other characters that make the non-Venom, non-Carnage moments stall significantly and I wish there was more to them. I wouldn't go so far as to have complete faith in this approach to Sony's characters moving forward — Venom or whatever larger plans are in the works — but I could safely recommend this whatever side of the film spectrum you land on.
This kind of fun genre content is sorely needed and I'm happy I had as good of a time as I did. The sequel to the reboot is an enjoyable, but unremarkable start to the Halloween movie season. There's a reason why the Addams Family have become icons of the American cartoon pantheon although having one of the catchiest theme songs in television history doesn't hinder them. The family of creepy but loveable archetypes have been featured across generations, between the aforementioned show, the duo of Barry Levinson films in the '90s and, most recently, MGM's animated reboot in That project got a mostly mixed reception and, while I'd count me as part of that group, I thought there was more merit to it than I expected.
The characters and animation designs felt kind of unique, and when it surpassed whatever mundane story the writers had in mind to be more macabre, it could be kind of fun. This is to say my reaction wasn't entirely negative when the sequel was announced, as well as just forgetting about it until I got the screening invitation. With that semblance of optimism in mind, does 'The Addams Family 2' improve on the first film's strengths? Unfortunately, not really. There's fun to be had and the film clearly has reverence for its roots, but between the inconsistent humor and lackluster story beats, what we're left with feels just a bit too unexceptional to recommend.
Some time after the events of the first film, Wednesday Addams voiced by Chloe Grace Moretz has made an incredible discovery: a way to transfer personality traits from one living being to another. While she looks to grand ambitions for her education, her parents, Gomez and Morticia voiced by Oscar Isaac and Charlize Theron respectively believe they are losing her and her brother, Pugsley voiced by Javon Walton , as they get older. The solution: a family road trip cross country alongside their Uncle Fester voiced by Nick Kroll and butler Lurch voiced by Conrad Vernon visiting all the great destinations of the United States.
Along the way, a subplot begins to unfold with Rupert voiced by Wallace Shawn , a custody lawyer seemingly convinced that Wednesday is not Gomez and Morticia's biological daughter, and the enigmatic scientist, Cyrus Strange voiced by Bill Hader , who takes an interest in Wednesday's potentially terrifying work. With the exception of Javon Walton replacing Finn Wolfhard, the voice cast returns for the sequel and they're mostly capable here.
Oscar Isaac and Charlize Theron embody a lot of Gomez and Morticia's obsessively sincere dynamic it legitimately makes me think they'd be good in live-action and Nick Kroll delivers a bounty of one-liners that are sure to get a laugh here and there. But the real focus is on Wednesday, who very quickly becomes the center of the film's narrative and it's where I become the most conflicted. The choice to tease Wednesday's "true" connections to the other Addams is admittedly intriguing, especially for how eclectic their backstories are and the film's choice to frame those questions around Wednesday and Morticia's estranged bond.
It's not a lot, but there is some subtext about how children can potentially view the adoption process and how parents choose to frame their relationships with their children. The animation isn't particularly great, but like the first film, I admire how the character designs all feel uniquely bizarre, again ripped right out of Charles Addams original comic strips and getting moments to be themselves. In addition, while the humor is completely inconsistent, I counted at least half a dozen jokes I cracked up at, most of them leaning into the morbid side of the Addams' personalities and one weirdly placed joke at a gas station don't ask, I can't explain it.
Getting back to that original Wednesday narrative though, I found myself getting increasingly bored by it as the movie went on. For as cliched as the movie's story was, it at least felt like an Addams Family movie, with stakes that consistently affected the entire family. But your trust will be repeatedly tested. And when you face challenges, you do not allow fear to diminish your courage in any way. When true courage and trust become part of your nature, and self-serving habits are released, you're ready to move into another level of higher consciousness. The 11 is made up of two 1s.
In this sense, 11 is a gateway that brings you to the next phase of your true self. You're in a column of light and this is the master number that lifts you to the next level and brings you closer to the light. The number 11 teaches you how to master your life. You're going to have opportunities to manifest when you see This means that you're going to be tested with challenges in order to master being true to yourself and having the courage to take action in the right direction toward your highest good. You're going to learn how to tune into yourself and listen to your intuition to help guide you on your path to manifesting your soul's purpose. When you're in alignment with your soul's purpose, manifestation happens more easily. Taking it a step further, you don't have to separate your work-life and your spiritual life.
You can combine both. As such, you see your workplace as a spiritual training ground. All of the qualities that you want to grow in your life, like patience and kindness, can be tested in that space. You will have multiple chances to practice manifesting those qualities. So no matter what type of job you have, you can approach your work as a spiritual path. The more you understand who you truly are, the more happiness you will have at work and at home.
Cultivating your own spirituality that allows you to forge a deeper connection with your soul-self is the most direct route to a fulfilling career and life. Archangel Tzaphkiel aids in spiritual growth, wisdom, and understanding. When you see , Tzaphkiel is guiding you to have the courage to make decisions that are in alignment with your true self and life purpose, ultimately making the world a better place. If you are unsure of the words, Tzaphkiel will help you to make the message clearer.
The meaning of can be related to a spiritual awakening. You begin to shed the ego mask from your true self. In this healing process, you close old chapters in order to write new ones. You understand that the negative people and experiences in the past have helped you grow into this current phase of your life. In this new level of awareness, you seek people and experiences that match and raise your vibration. While we're all playing a role in this awakening process, no role is any less important. Look within for the answers you seek. When you realize that you have access to the part of you that knows what you need, you can stop searching outside of yourself.
When you trust the wisdom that lives within you, you can confidently navigate your life. You are exactly where you're supposed to be and you are heading in the direction that you're supposed to be going. When the time is right, you will have a clearer understanding of your role or purpose. With angel signs and synchronicities, you are always being guided toward your life mission every day. Trust the process because you are always being helped. In the end, the meaning of and seeing repetitively is a reminder to be your true self.
You can help change and raise the consciousness of the planet by being who you truly are. You leave your comfort zone because you realize that you need to move forward in the direction of your mission, or you can turn back to the safety of old routines. You'll end up getting the same results if you continue to do what you've always done. So if you want to see change, make sure you do something significant about it. You never know until you try. Trust yourself in pursuing your life and soul mission. Surround yourself with the right people and situations that can help you move on to the next chapter of your life. Trying new things can make you reflect on your old beliefs and see problems in a new light. Every experience is meant for you, so learn to trust each one.
