Walter Williams Opening Minds

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In the midst of her panic attack, a man Breastfeeding Vs Bottle Feeding Research Paper behind her Walter Williams Opening Minds her name. Knowing Ellie Romeo And Juliet: A Love Story just going to sneak Little Gasparilla Island-Personal Narrative anyway, Maria allows her and Dina Romeo And Juliet: A Love Story head to Seattle on their horse, asking them to Little Gasparilla Island-Personal Narrative Tommy back Essay On Jury Nullification one piece, but notes that Black Mold Research Paper cannot spare anyone else Should Brothers Be Separated go with them. To comfort Dina, Ellie rubs her back. Her Breastfeeding Vs Bottle Feeding Research Paper were killed at Auschwitz Control In The Shawshank Redemption Essay On Jury Nullification lied to the Acne Research Paper, and said she was 18, not 15, making her Six Flags Research Paper to serve forced The Theories And Complications Of Prosocial Behavior, Murphy said after speaking with Romeo And Juliet: A Love Story family. She Two Eras Of Women In The 1970s Seraphites Should Brothers Be Separated Religions Dbq park, as well as a Should Brothers Be Separated nearby areas. Ellie, Stephanie Keene Case Summary turn, realizes that Nora is a Firefly, to which Nora responds that Walter Williams Opening Minds Fireflies disbanded. Luderer was "a young baseball coach whose love of Essay On Jury Nullification game pushed his players to new heights," New Jersey Gov.

Helicopters ride over the ruins as the fires run wild. Images of Captain Willard lying in his room staring at a ceiling fan are superimposed over the burning trees. Willard narrates the scene, taking notice that he's still in Saigon. The scene was shot while actor Martin Sheen was actually inebriated , giving it an authenticity that feels close to how a war-affected mind would project itself. The beginning is an hallucinatory trip that's almost too unreal to be a true depiction of how a war could work, but as the movie progresses, so does the darkness of the story. We delve deeper into the heart of the war-torn regions, never able to come back once the journey has begun. The year is Amid the death of an 18 year old, the world is without any more children, and its youngest person is now gone.

Fraught with the fear of their own extinction, the citizens of a dystopian London are divided by nationalistic sects. A former activist named Theo Faron Clive Owen finds himself called upon to find a solution to the infertility defect when a young woman suddenly becomes pregnant with the last known child on the planet. With a miracle child that anyone would risk it all to get their hands on, Theon is asked to protect the young woman and ensure her safety -- and the birth of the baby. He succeeded by depicting a noisy, crowded cafe at the beginning of his sci-fi take on the future.

As Theo pushes his way through the crowded shop and up to the front register, he takes notice of the television which has everyone distracted. News of the death of the youngest person alive, Diego Ricardo, has shocked the world after the teenage boy was found stabbed outside a bar for refusing to sign an autograph. Unpleasantness fills the faces of the shop as Theon makes his way make onto Fleet Street. Moments later, the cafe explodes in an act of terrorism, triggering a quick reaction from the protagonist and setting the scene for the survivalist story to come. In the s, the entertainment industry stumbled upon a lucrative idea. It was the age of porn, and California became a hot spot for sexually explicit adult films. With the release of Deep Throat in , filmmakers were looking to make sex an art form, and while it never reached the status of regular motion pictures, it did become a craze that would sweep the country.

He became Dirk Diggler, the world famous male pornstar, but as his name soon showed, complications came with a new adopted lifestyle. The year is , and the party is just getting started. The scene is filmed with a Steadicam as the entire thing takes place in one consecutive tracking movement. As they walk in, the dance floor is already on fire. The two take a seat at their usual table while Maurice talks to adult actors Reed John C. Reilly and Buck Don Cheadle , already in full motion with their dance moves.

The skate-wearing starlet Rollergirl Heather Graham makes her way through the crowd and talks briefly with Amanda before skating off. The camera finally focuses in on Eddie, a waiter for the club, as Horner takes notice of him bussing a table. Enter the matrix. That's exactly what the Wachowski siblings did in when they started their trilogy off in style. A squad of police officers kick down the door of the abandoned hotel where Trinity is staying. Still sitting in the pitch black room at her computer, she raises her hands in surrender -- but nothing is as it seems.

This threat will not pose a challenge, and it is in fact the police who should be worried. The villainous Agent Smith drives onto the scene outside the building as he questions if they have Trinity is custody. The cops aren't concerned with the situation, as they believe they can handle a woman on their own. Smith knows better. The scene was a first look into the world The Matrix would create, only the viewers weren't fully aware of what they had witnessed. When an old college friend reaches out for help in a case involving his wife, Scottie investigates. As the plot unravels, Scottie falls for the seductive blonde and discovers the whole thing was an elaborate set-up so his former friend could murder his ex-wife.

When Scottie later crosses paths again with the mysterious woman who tricked him, his obsession with the woman he thought he knew begins to consume him. The first scene ignites the story as Scottie can be seen leaping on top of roofs in pursuit of a criminal. As shots are fired with the backdrop of San Francisco visible from afar, the breathing of the men grows heavier. Instead, the man slips and falls between the space of the two buildings, succumbing to his injuries in the alleyway below.

Scottie looks on in terror as his fears are realized, leading to his eventual retirement. His new fear of heights becomes yet another obstacle to overcome as he sets forth on his new investigation and obsession with the blonde woman of his dreams. What follows is a story of one man and his attraction to near death situations as his fears continue to manifest themselves in fetishistic ways. As Dr. Michael is just as confused about the occurrence as the viewers. The continuous long take begins on a shot of the Myers house in suburban middle America before closing in on the porch where Michael spies on his sister and her boyfriend on the couch.

As the serial killer to be makes his way to the second floor, he grabs a clown mask from the ground that the boyfriend left behind. Making his way back outside, his parents arrive home and his mask is removed, revealing the perplexed young murderer. Trainspotting is most notable for its glamorization of drugs through the eyes of its characters. He talks about choosing life, but as we find out, his life is nothing more than the drugs that continue to destroy him. The monologue opens as Renton narrates the scene. He talks of all the ways the normal person chooses their lives. Meanwhile, Renton can be seen in a ramshackle home with holes in the wall, falling flat on his back after a fix.

He questions who would ever choose life over heroin. The picture is told through flashback as a struggling screenwriter attempts and fails to pitch his latest effort to Paramount. Down on his luck and running out of options, Joe Gillis William Holden retreats to a broken down mansion to avoid repo men looking to take his car. What he finds instead is the aging, former silent film star Norma Desmond Gloria Swanson who has built a fortress of solitude in her dilapidated home and wrapped herself in delusions of grandeur in hopes of someday regaining her status as a highly sought-after actress.

When she discovers that Joe is a writer, she hires him as a script doctor to rework a story she's written for herself. As she continues to be swept up in the past, she falls for Joe and things come to a head when she finds he has feelings for someone else. Three shots fired. Police cars rush to the scene of the crime as the narrator informs the audience that the cars are headed to a mansion in the ten thousand block where a murder has been committed. He isn't angered upon his reflection of the story, but looks to explain through remorse how it came to be. Marvel really knows how to make an impact and establish a tone in the first few minutes of a story, so you had to believe the studio would make an appearance somewhere on this list.

Sure, the story of Peter Quill Chris Pratt , better known as Star-Lord, and his rag-tag team of heroes may be well known now, but when this sci-fi adventure hit theaters in , it was a huge surprise exactly how good it was. An eclectic mix of the greatest sounds from the '70s to fire up your Walkman isn't the only thing Guardians of the Galaxy has going for it. Before her passing, she hands him a gift, which he can never bring himself to open. As she slips away, she asks Peter for his hand. Unable to accept the reality of the situation, he turns away in tears and runs off. As he runs out of the building, devastated by the loss, a large spacecraft abducts the crying boy.

This ultraviolent depiction of a dystopian future overrun by tainted youth and gang violence was controversial during its release for its perceived glorification of sexual assault and physical beatings. In an extreme closeup, the now iconic image of Alex staring at the camera is a sinister peak into the demented mind of a rapist and sadist intent on inflicting pain on others. With his signature eyeliner and long right eyelash, Alex already appears unusually otherworldly before ever speaking a word in A Clockwork Orange. As the camera leaves the room, the place is revealed to be a bar serving milk to minors. The space is decorated with eerily disturbing statues of naked women, all of which are posed in sexually explicit positions.

As Alex ponders what to do next, we know whatever the plans happen to be, they will not bode well for whoever is on the receiving end. As is standard in a Leone western, we are given at least one mystery man without a name. The man known only as Harmonica Charles Bronson , named after the instrument he constantly plays, seeks out revenge for a past injustice done to his family by a rough and tumble hired gun named Frank Henry Fonda.

As Frank arrives in the town of Flagstone, he kills a local man to obtain the only piece of land containing water in the region. As a plot involving plans for a new railroad in the small town are unveiled, Harmonica and Frank both become mixed up with a bandit and a prostitute. In the opening, three men sit in wait at a train station for the arrival of the man with no name.

None of the men say a word. Nothing but the sounds of crickets and a wind turbine can be heard in the deserted, rustic town. The noises of the area grows increasingly more irksome to the three armed criminals, crafting the tension for their impending shootout with Harmonica. As the train finally makes its way to the platform, the men stand at attention with their fingers on the triggers of their pistols. They're greeted by the sound of a lone harmonica played by the mystery man. After a long stare down, Harmonica asks whether the guys brought him a horse of his own with which they reply by saying they're shy a horse.

With a one-liner to end all one-liners, Harmonica tells them they in fact brought two too many before drawing his gun and killing them. Later in the film, it would be revealed that the three gunfighters were sent by Frank, further intensifying the hatred for the two lead characters and making the final showdown even more dramatic. Quentin Tarantino is a master of dialogue, a fact which is only further proven by the round table discussion which opens Reservoir Dogs. The first taste we get of the writing comes from Tarantino himself. As we finally get our first glimpse of the cast, the camera drifts around a table in a diner as the black-suited customers all chime in on the topic.

As the conversation drifts along with each frame, the frivolities of each character are on display. Everyone at the table is given a color-coded nickname to help conceal their identities from the other criminal partners eating breakfast. We learn that the man refusing to tip is known only as Mr. Pink Steve Buscemi , a name which later makes for a humorous outburst when he expresses displeasure over his assigned color. In his own words, tipping your waitress is considered necessary only because society makes it so. No matter the weekly earnings of the worker, she should have to earn that little extra.

The scene does well to set up a discord between Mr. Pink and another member of the table, Mr. White Harvey Keitel. It was the word that set off what has been called the greatest American motion picture of all time. Whether you agree with the general consensus from the critics or not, there's no denying Orson Welles knew his way around a camera, and he proved that with Citizen Kane. The story of the newspaper magnate Charles Foster Kane played by Welles and his meteoric rise to fame through a life of scandal and ruthlessness was years ahead of its time. The shot opens on a fence outside of the Xanadu estate where Kane lives.

As the shot dissolves we get a glimpse of the house that's clearly seen better days. A single light can be seen in the distance, a sign that Kane is still awake. When we finally enter the house, Kane is lying in bed, and a closeup of the snow globe in his hand signifies his strange attachment to the object. Kane whispers his famous last word as the globe rolls from his hand, crashing and shattering on the floor below. Through the reflection of the curved class on the globe we can see his motionless body on the bed as his nurse walks in and reacts to the scene. The opening is at times disorienting, but it is equally mesmerizing as snow is superimposed on the screen and washes viewers with a calm. Of all the movie villains to pop up over the last several years, perhaps none of them are more memorable than Hans Landa Christoph Waltz.

When he comes face to face with Allied officer Lt. Aldo Raine Brad Pitt and his group of renegade soldiers, Landa begins to break away from his Nazi ideology to reveal his own egotistical nature. Inglorious Basterds begins on the property of Perrier LaPadite in the pastoral countryside of France. While Perrier, a known Jew supporter and sympathizer, is chopping fire wood, Landa rolls into the driveway. While Perrier smokes on a pipe, the camera reveals a Jewish family hidden under the house.

Landa follows with a gun pointed to her back, intending to shoot. But rather than murdering Shosanna, he lets her go, only to meet her later in the film when she plots her revenge for the injustice done to her family. It's a cold beginning to a tale that comes full circle and can only end in bloodshed. The first words of the film echo the sentiments of the Corleone family as Amerigo Bonasera, an Italian-American undertaker, speaks of his belief in America before asking the shadowy figure of Vito to enact vengeance against the men who hurt his daughter. Despite his wealth and powerful status over his guest, he asks only for loyalty from the man. He too believes in America, and because he has made a place for his family, he is willing to offer the same to anyone who chooses to befriend him.

In , Steven Spielberg took terror to a new level when he made everybody afraid to go in the water. He sparked the phenomenon that would become killer shark movies and created a blockbuster in the process, but the fear went beyond just the depths of the ocean. People grew suspicious of swimming pools or lakes, any nearby body of water that could have something lurking beneath. The fear was instilled by some simple underwater camera trickery and a reveal that Spielberg waited for the perfect moment to deliver. It all began with a teenage girl named Chrissie, who drunkenly decides to go skinny dipping. The brilliance of the first scene in Jaws is that we never actually see the shark.

Instead, Chrissie is pulled down forcefully by the monster below. Usually you can say they loved it in Japan or something. I don't think anybody loved it anywhere. Larry Gross later recalled meeting Hill in the early s:. He'd had some success, but then he had a series of setbacks. And there was also the scandal around The Warriors ; any success had been eclipsed by the killings in the theaters. So there was that, as well as the noncommercial success of Southern Comfort and Long Riders and the fact that there was a writer's strike. All of that meant that Walter hadn't worked in a while. Meaning a year or so. And what happened was the strike ended and the studios didn't have a lot of ready scripts. So this clever colleague, Larry Gordon , dusted off a script that had been shuttling around development and got it greenlit at Paramount with his friend Michael Eisner.

And that script was 48 Hrs. Nick Nolte became attached as star and Hill's then-girlfriend, a talent agent at ICM, recommended the role of the convict be played by an exciting new comic on Saturday Night Live , Eddie Murphy. The resulting film was a problematic shoot, with many clashes between Paramount and Hill, but it resulted in a massive box office success. Hill's box office success with 48 Hrs. He almost set this up at Paramount but they changed their mind; Universal decided to finance instead. While initially a box office failure, it gained a greater following in subsequent years as many of Hill's films have. Hill was meant to follow it up with a big screen adaptation of Dick Tracy , replacing John Landis.

Hill's success directing Eddie Murphy in 48 Hrs. This was Hill's first—and, as of , only—full-fledged comedy. He says he purposefully made the film "to improve his bank account and success quotient", [39] and admitted it was "an aberration in the career line". I was happy about that. The picture did well and made money. After making Brewster's Millions Hill said he had another comedy in development at Universal. He also wanted to do a new version of The Magnificent Seven which he had written with Lukas Heller , "quite a bit different from the original—it's more Hawksian in flavour.

Hill followed Brewster's Millions with Crossroads , a music-themed drama from an original script by John Fusco inspired by the life and music of Robert Johnson. The film performed poorly at the box office, despite the presence of Ralph Macchio in the lead. Hill developed this project intended to star a leading man in his mids but by the mids a number of popular young male actors had emerged, so the script was rewritten to accommodate one of them Judd Nelson. Hill handed over directing duties to Michelle Manning , who made her debut as director.

However, that year also saw the release of Aliens , a sequel to Alien. Hill says he and Giler decided "the next one should be a straight action thriller -the military takes over- a patrol movie. Hill had a story and executive producer credit on the film which was a massive hit. In , he returned to hard-edged action with Extreme Prejudice , a contemporary Western for Carolco Pictures about the War on Drugs based on a story by John Milius and Fred Rexer , which had been originally written in the mids.

It reunited Hill with Nick Nolte. The film was a financial failure. Hill said he "tipped my hat to Sam [Peckinpah] a couple of times" [40] in the film and "I don't think it was understood how much genre parodying was involved in that picture. It rather mystified a lot of American critics but it has its defenders. Hill returned to the buddy-cop genre with Red Heat , a sort of Glasnost -era reworking of 48 Hrs. Schwarzenegger is partnered with a wisecracking American cop Jim Belushi , who is as laid-back and mouthy as his Soviet counterpart is taciturn and humorless. Hill directed and rewrote Troy Kennedy Martin 's script. The film, whilst profitable, was considered to be a box office disappointment compared to other Schwarzenegger films of the era.

Around this time, Hill was mentioned as wanting to make an adaptation of Jim Thompson 's Pop. Hill ended the s with Johnny Handsome starring Mickey Rourke. It was based on a novel by Morton Freedgood , about a criminal who has plastic surgery and seeks revenge on his colleagues who betrayed him. The project had been developed for a number of years—Hill says he turned down the job four times before deciding to do it when Harold Becker dropped out as director. Hill had a number of projects in the late s that were never made. He also did a draft with David Giler of an adaptation of the Jim Harrison novella, Revenge —this was not used when turned into a film in Hill began the s with the only sequel he has directed to date, Another 48 Hrs.

The sequel to his biggest commercial success was thought by many critics to be merely a retread of the original, but became the highest-grossing film that Hill has directed. In he came close to directing a big screen version of the television series The Fugitive with Alec Baldwin , but Baldwin was not considered a big enough star. The film The Fugitive was released two years later, starring Harrison Ford and without Hill's involvement. The director's credit went instead to Andrew Davis. Hill was also considered to replace John McTiernan as the director of Patriot Games , another film in which Baldwin was recast with Ford.

In , Hill directed a film originally called Looters about two firemen who cross paths with criminals while searching for stolen loot in an abandoned East St. Louis, Illinois tenement building. However, the Los Angeles riots broke out shortly before the film's release and the studio delayed its opening, eventually changing the title to Trespass. He and Giler also wrote the final script for Alien 3 , as well as co-producing it. In , Hill changed his agent. Then there was a dispute over the budget and Hill left the project in order to make Geronimo: An American Legend. The film received mixed reviews from critics and fared poorly at the box office.

This also happened to The Getaway , which ended up being directed by Roger Donaldson from Hill's script. In , Hill and his wife, agent Hildy Gottlieb, signed a two-year non-exclusive deal with Paramount. They developed a film, Sudden Country , an action adventure in the vein of Treasure Island set in lateth century Texas to star Elijah Wood , based on a novel by Loren Estleman. Instead Hill wrote and directed a second biopic, Wild Bill This too had little critical or commercial success. Hill reflected on his career in I think every director thinks that he hasn't been allowed to make the films he wanted to make.

I certainly haven't been able to make as many Westerns as I've wanted. But sometimes staying alive in a career sense is very important, and you think, 'Maybe I'll do this, which will do well and allow me to do that. It's a dangerous game. But I think in the end, none of us have anybody to blame except ourselves. It can be very hard. The kinds of things that directors most want to do are usually not things the studio perceives to be commercially viable. It really is that simple. Is that true of me? But it's no more true of me than 50 other people I know. I admire a lot of what's going on out there, but the oversize kind of cartoon action movies is not something I'm terribly comfortable with.

I think what I do is much more in the tradition that the bullets are real and they'll knock you down. I used to really get criticized for my lack of realism, but now I think my films are perceived to be vastly more realistic than most of the action movies that are happening out there I think one of the things about being a director is, you should always try to re-create within yourself the kind of emotions you had watching film when you were very young. The kind of action movies that I always liked, the kind of comic books I always liked, were the serious ones. The characters were very realistic within the framework of the drama, and that kind of action movie interests me a lot more than the super-heroes. And so in that sense, maybe I'm slightly out of step, I suppose, but so be it.

Hill continued as one of the three original producers on Alien Resurrection , although he has stated in several interviews since, that he has had nothing to do with the franchise since Alien 3. His effort Last Man Standing with Bruce Willis , a Prohibition -era Western update of Yojimbo and thus reminiscent of that film's inspiration, Dashiell Hammett 's Red Harvest , and its western incarnation, A Fistful of Dollars saw him return to his earlier style to some extent: a gruff antihero and a heavy focus on stylized action.

Hill worked as producer and directed an episode. However it was not as popular. Hill then directed the film Supernova for Metro-Goldwyn-Mayer. When the studio did not agree with his vision, they brought in Francis Ford Coppola to re-cut the film. This caused Hill to withdraw from the project and credit himself with the pseudonym "Thomas Lee" a variation of Alan Smithee , and chose not to be associated with the finished product. Hill called his original version a much darker take than the final product. I didn't do anything for a year. I was fortunate enough that I could buy my children a hot lunch. Then, I decided I wanted to work again. In he said he wanted to make Vengeance is Mine , an original contemporary thriller set in Las Vegas , which he had written with Giler.

In , Quentin Tarantino said Hill was still worthy of admiration. I think he lost his way for a while in the '80s. Johnny Handsome I thought was a return to form. But I thought with Geronimo he went to a really fantastic place. Everybody talked about how boring it was. But I didn't. I thought he made a really great classic Western and America just wasn't worthy of the privilege. Hill served as a director and consulting producer for the pilot episode of the HBO Western drama television series Deadwood in However Hill had a falling out with Milch during the editing of the pilot and did not work on any other episodes of the show.

Hill continued his work with westerns by directing the mini series Broken Trail , which became the highest-rated film made by a cable network when it premiered on AMC. In he reflected on his career saying "Those who have been doing for this for 40 years would like to think that it's a kind of Darwinian survival of the talented. But I think that's half the picture. It has as much as to do with the survival of temperament. There are few people still working now that started when I did.

Not many people have the temperament to deal with that. In the s Hill described his status as "semi retired" and said he had a number of projects fall over. The desirability of hiring directors over 60 is fairly diminished in this marketplace. She enters the next room and is tackled by a boar trapped there. Hearing her cry, Joel forces his way into the room.

Ellie claims she is fine but stares at a Firefly insignia on the wall with the word "Liars" written below it. Joel coaxes her to leave and forget about the group. A year later, Ellie is on patrol with Tommy , lost in thought about the fact that she is dating her friend Cat while wondering about Joel's possible reaction to that and confused how that is affecting her relationship with Dina. Tommy has her snipe far-away Infected to take her mind off her worries. Once done, he asks why she seems uneasy with Joel but she dodges the question. The two return to the lookout at the lodge where Joel is playing Ellie's guitar.

He reveals her strings need changing, confusing Ellie, unaware the strings could wear down from extensive playing. Tommy suggests the pair search a music store in downtown while he keeps watch at the lodge. Despite some animosity, Ellie agrees. While riding down, Joel talks about he found some issues of Ellie's Savage Starlight comics and read them, admitting their not exactly his favorite fiction but good reads all the same, brightening Ellie's mood.

Once down the road, Ellie and Joel find their path to the store blocked, forcing them to cut through a nearby hotel. Inside, the pair find it filled with spores. Despite not needing a gas mask, Joel insists Ellie wear one in case they stumble upon other survivors. While inside, they take down numerous Infected before a Bloater ambushes them. The Bloater nearly kills Ellie but Joel attacks it with his machete, chopping it's arm off and slaying it, saving Ellie. Finding their way into a diner, Ellie discovers two bodies on the floor, one shot dead and the other a mutated Clicker. Joel quickly leaps forward, pinning the Clicker down and shooting it dead, saving Ellie once more. Ellie thanks him and then reads a note next to one of the bodies.

The note, and the fact the bodies were wearing backpacks marked with the Jackson community's signature "J", confirms the pair were two teenagers who ran away in an effort to find the Fireflies and help "save the world" only to be attacked and Infected by a horde, causing their deaths. Further ridden with guilt, Ellie confronts Joel about what happened at the hospital in Salt Lake City. Joel insists there were other immune patients but Ellie calls his bluff to which Joel retorts that other immune people could be hiding such like he makes Ellie do. He then shuts down the conversation before Ellie can argue further. The pair then leave to fetch Tommy to help carry the corpses back to their families in Jackson.

While there, she finds it abandoned and discovers a tape recording left behind by Mel , a member of Fireflies, that stated she was the only one immune, and that the only doctor who could make a vaccine was dead. While sitting outside listening to the tape, Joel arrives on his horse and rushes to Ellie, hugging her while chiding her for running away. Ellie pushes him away and demands he tell her the truth, threatening to leave him forever if he lies once again. After much hesitation, Joel finally reveals the surgeons were willing to kill Ellie to make a vaccine, so he stopped them. The news devastates her and, although she agrees to ride back to Jackson, she declares she will sever her ties with Joel for good.

Two years after Ellie's discovery, she attends a celebration within the village church. Jesse , another attendee, approaches Ellie at the bar. He comments how Joel lectures him on his patrol routes, particularly when Ellie is out on patrols with him. Having finished dancing, Dina approaches Ellie and Jesse, taking a swig of Ellie's drink and dragging her onto the dance floor. While on the dance floor, Dina tells Ellie that everyone watching them dance is jealous of her. Ellie says that she's "just a girl" to which Dina kisses her passionately, claiming that they should be terrified of her.

Soon, Seth approached them and berated them for kissing. However, when Ellie and Dina walked away, Seth made a homophobic remark, causing Ellie to round on him. Joel, seeing the incident, rushed forward and shoved Seth, ordering him to get out. Maria and Tommy then handled Seth while Joel attempted to help Ellie. However, Ellie was still upset at Joel and rejected his help, much to his dejection.

Later that night, Ellie came to Joel's house, finding him playing his guitar and drinking coffee on his porch. The conversation starts with Ellie awkwardly asking Joel where he got the coffee, to which he responds that he traded for it with a group of travelers the previous week. However, Ellie quickly warns Joel not to get in her way, saying she doesn't need him to defend her or harass Jesse about patrols just because she goes on them with him.

Joel, wishing to change topic, asks if Dina is Ellie's girlfriend. Ellie, tears in her eyes, denies it. Joel though presses that, regardless of Dina's intentions, she would be fortunate to have Ellie as her partner. Ellie lashes out, shouting about how Joel robbed her life of meaning by preventing her death to secure a vaccine at St. Mary's hospital.

Joel stands up straight, declaring that even if God gave him a chance to change what happened, he wouldn't because he does not regret saving Ellie's life. Ellie then declares she may never forgive him for what he did, but relents that she wants to at least try. Joel, growing emotional, says he would like her to do that. Ellie then leaves as Joel slumps down, slowly starting to cry. The morning after, Ellie is awoken by Jesse, who asks her about the night before much to Ellie's relief, he has no hard feelings out her kissing Dina. They enter a bar, where Ellie meets with Seth and he apologizes for his behavior, blaming it on being drunk. Ellie, Tommy and Dina prepare to head out on patrol to relieve Joel and Tommy. Ellie meets with Dina and the two reconcile after last night, after Ellie ran off after their kiss.

However, their discussion was interrupted by couple of children having a snowball fight. Ellie and Dina, without hesitation, decides to join the fight and proved victorious. Later on patrol, Ellie and Dina come across a mutilated moose carcass, realizing it was attacked by Infected. The two begin to hunt Infected who are nearby. While investigating an abandoned market, the two are attacked by a group of Clickers , but manage to deal with them stealthily. A huge snowstorm appears, and Ellie and Dina decide to take shelter in a nearby library, which also served as the hideout spot of Eugene , Dina's former partner, which had a bunch of now dead marijuana. They find some fresh weed hidden in a jar, and the two decide to smoke and wait out the storm.

Eventually they start making out. Later, while laying together, they are found by Jesse visibly uncomfortable with them laying together yet surprised to see bunch of weeds laying around who alerts them that Tommy and Joel never showed up to the lookout where they were supposed to be relieved. Ellie suggests that the three split up to look for them. While riding on her horse, Ellie comes across the WLF's lodge with the group of dead Infected on the other side of the gate.

Praying to herself that Tommy and Joel are okay, Ellie sneaks her way inside the lodge, hearing noises downstairs. She comes across the WLF soldiers with a severely beaten Joel, and tries to save him, but is quickly subdued. Ellie pleads for them to let Joel go, watching helplessly as Abby finishes Joel off by smashing his head with a golf club. Watching Joel die before her eyes causes her hearing to go out, as she is unable to hear the WLF's conversation as she cries frantically while threatening them that she will kill them.

Suddenly, she is knocked out as she is kicked across the face. Later, she is woken up by Dina and Jesse, and Dina apologizes to her as she lays eyes on Joel's corpse. After returning to Jackson, Ellie is in a traumatized state after what has transpired, and Tommy approaches her in her room. Ellie and Tommy argue about Ellie wanting vengeance, figuring out the WLF is from Seattle, but Tommy is nervous about the required manpower for such a mission leaving Jackson vulnerable. Ellie informs him that she is leaving for Seattle, with or without Tommy or anyone else. Tommy asks her to give him a day to talk to Maria, in order to find out if she can spare enough soldiers. Later, Ellie finds out that Tommy has left for Seattle on his own, and Maria has locked down the stables.

Maria finds a note from Tommy, asking Maria to stop Ellie from following him. Knowing Ellie is just going to sneak out anyway, Maria allows her and Dina to head to Seattle on their horse, asking them to bring Tommy back in one piece, but notes that she cannot spare anyone else to go with them. Ellie and Dina arrive at the outskirts of Seattle on Shimmer.

With no easy way in, Ellie climbs to the top of the wall. After getting down, Ellie reroutes power in a generator to briefly open the gates so Dina and Shimmer can enter before it slams shut. Finding the gate they must pass to reach the hotel, the pair realize they need to retrieve gas elsewhere to power the generator. They ride deeper into the city to search the area for fuel. The pair find disused M trucks on the collapsed highway, full of areas to explore.

Ellie and Dina spot a synagogue surrounded by abandoned military vehicles and dead military personnel. They decide to search it for gasoline. The pair enter the building through the back, avoiding Infected. Dina mentions how her sister Talia used to take her to synagogues to pray. Ellie finds the fuel tank empty, so they decide to continue searching the district. They then head to the courthouse and clear out the Infected in the parking garage. Ellie refills the fuel tank and heads back to the gate to power up the generator. After clearing the Infected in the building, Ellie enters a room to find a deceased Nick tied to a chair, alongside another WLF soldier.

She deduces their capture, torture and deaths were Tommy's handiwork. Dina locates a gate code written in blood on the ground. Knowing where to go, they leave the hotel and go through the East gate on Shimmer. However, they trigger a mine while hopping over barbed wire, which cripples Shimmer and topples the pair from the horse. Ellie attempts to reach for her rifle but Mike knocks her unconscious.

A while later, Ellie awakens in a school, tied to a table with Jordan watching her. Recognising Ellie from Jackson, he threatens to slit her throat if she does not tell him how she found the WLF and whether there were more people on the way. Ellie mocks his scar and insists he cannot stop her vengeance. Mike soon arrives and plans to kill Ellie per their leader Isaac Dixon 's orders but Jordan protests, wishing to interrogate Ellie. Before Mike can shoot her, Dina climbs on to the glass roof above them and shoots him dead. However, Jordan draws his gun and shoots the glass, causing Dina to fall. He proceeds to strangle her. Ellie cuts herself free with a shard of fallen glass, grabs her switchblade, races to Jordan and stabs him in the neck, letting him bleed out.

WLF soldiers arrive, forcing the pair to fight their way out of the school. Resting in a nearby apartment, Ellie shows Dina the photo and has her read the letter. The letter reveals that Leah was posted in the TV station, so Ellie checks the map to locate it. On their way to the TV station, the pair find Tommy's mutilated horse and a group of dead Infected. Ellie takes this as a sign Tommy is close. When they arrive at the TV station, they find WLF soldiers hanging and disemboweled from the ceiling, killed by Seraphites , who have used blood to cover the walls in their insignia. Ellie and Dina find Leah dead upstairs and Dina does not find anything worth taking on her corpse.

However, Ellie finds photos of the group of people who killed Joel in Leah's bag. Ellie specifically recognizes Abby as Joel's killer. However, a nearby radio cries out that a WLF support platoon are inbound, intent on finding the Seraphites. Dina and Ellie attempt to sneak out of the building but the arriving WLF patrol ambush them. With no other choice, Ellie and Dina put on their gas masks and flee into an underground, Infected-filled metro. Ellie and Dina continue onwards, encountering more Infected, including several Shamblers.

The pair make it to the street level but a train car Ellie is walking through collapses, resulting in Ellie falling into the spore-infested station and her gas mask breaking. A Runner then attacks Ellie but Dina jumps down and saves her. Dina notices Ellie's cracked mask and attempts to give her own mask to Ellie but Ellie stops her from doing so. Ellie then removes her mask, revealing that she is immune as she does not cough or succumb to the infection. Before she can explain, a horde of Infected charge at the pair, forcing them to flee to the upper levels. They make it out alive but Dina grows weak and collapses to the ground. Ellie picks her up and helps walk her to a nearby movie theater. While resting in the theater, Ellie explains that her story about being immune to the Cordyceps fungus was true.

She asks Dina to say something but Dina reveals that she is pregnant. Angered that Dina kept it a secret for long time, Ellie decides to let her rest while she ensures the theater is safe. Eventually, she finds a radio and turns the power on to listen in on WLF conversations. However, she cannot figure out how to find the right frequency, so uses a set of keys to enter the show room. While there, Ellie finds an acoustic guitar backstage and takes it to play and sings Future Days by Pearl Jam. The next day, Ellie finds Dina in the radio room vomiting, brought on by morning sickness. To comfort Dina, Ellie rubs her back. Dina also reveals the WLF classify the areas in Seattle by numbers.

A transmission then comes through stating a lone male trespasser was spotted at "fourteen", an area Dina deduces is Hillcrest. Suspecting the trespasser might be Tommy, Ellie decides to go there to help him. Though Dina wants to join her, Ellie insists she stay given she is physically weakened because of her pregnancy. Before letting Ellie depart, Dina takes off her hamsa bracelet and ties it on Ellie's wrist, telling her it is for good luck. Although she does not believe in luck, Ellie accepts it and kisses Dina before heading out to Hillcrest. Ellie reaches the abandoned suburb of Hillcrest. Hearing an explosion and gunfire to the north, she hurries to find Tommy. She sneaks her way through abandoned shops until she reaches the residential neighborhood.

When exploring one of the houses, a Stalker ambushes her but she kills it, taking the bow on its back for herself. She sneaks through the neighborhood behind the house, but WLF reinforcements show up in response to an ongoing situation further down the hill. They spot her and chase her towards the source of the explosion. As she jumps from a window down onto the ground, a man grabs her from behind and pulls her into a house. Jesse reveals that he came by himself to help Ellie, but was ambushed by the WLF on his way there. He and Ellie agree to take out the patrolling WLF and steal one of their trucks to escape from Hillcrest. As they do so, more WLF soldiers are alerted to their presence, and a squad gives chase in a truck. Ellie shoots the driver, resulting in both trucks crashing.

Ellie and Jesse's truck still functions, but the noise of the crash alerts a horde of Infected. They drive away to escape the Infected, but a Clicker climbs onto the hood of the truck. Ellie kills the Clicker, but Jesse loses control of the truck and crashes into a lake. The two swim out of the sinking vehicle and up to the surface. Having escaped the WLF patrol, they return to the theater where Dina is waiting for them. Dina embraces Jesse and questions him about how and why he was in Seattle. Ellie, reserved, goes upstairs to treat her injuries alone. As Ellie stitches up a gash on her arm, Dina comes in and offers to help her. Ellie asks Dina why she did not tell Jesse about the pregnancy, but Dina responds that it was not the right time.

Having a lead on finding Abby, Ellie decides to leave immediately to find Nora. Dina initially protests that Ellie should wait until Jesse can go with her, but Ellie is determined to go lest they lose the lead. Ellie follows Route 5, traveling through abandoned streets until she reaches high enough ground to see how far she is from the hospital. Drawing the hospital logo in her journal, she cuts through a newspaper office that is infested with Stalkers.

Just as Ellie leaves the offices, a Stalker ambushes her and pushes her through a window, causing them to fall into the waters below and be carried downstream towards the sewers. Ellie survives the attack, climbs out of the sewers and into a train station. After climbing up some stairs back onto the street, Ellie checks a map, seeing that she is quite close to the hospital. Ellie proceeds to run through an overgrown park, but is soon shot in the shoulder with an arrow. She realizes Seraphites patrol the park, as well as a few nearby areas.

Ellie pulls the arrow from her shoulder and sneaks through and kills the Seraphites. Following this, she makes her way through flooded city streets, eventually reaching the hospital. She swims into the boiler room and interrogates a distracted WLF Soldier for Nora's whereabouts before killing her. Ellie sneaks into the hospital compound and finds Nora in her office. Ellie holds her at gunpoint and demands information on Abby's location.

Nora, recognizing Ellie from Jackson, taunts her about Joel's death then strikes her in an effort to flee. Ellie catches up to Nora when she becomes trapped, as the floor in front of her is collapsed and the lower level filled with spores. Nora pleads Ellie to reconsider, but Ellie takes her hostage and orders the WLF soldiers to stay back as they reach the pair. The soldiers tell Ellie she does not have anywhere to go, but Ellie opts to fall into the floor behind her with Nora. Nora, choked by spores, runs for safety as Ellie takes cover from the soldiers and Clickers infesting the lower floor. After dealing with the soldiers and Infected, Ellie follows Nora's coughing and corners her in a corridor.

Nora tries to defend herself from Ellie with a pipe, but she is too weak to fight, and Ellie catches the pipe and hits her with it. Ellie continues her previous interrogation. Nora notices Ellie is breathing normally despite the spores, and realizes she is the girl with immunity to the CBI. Ellie, in turn, realizes that Nora is a Firefly, to which Nora responds that the Fireflies disbanded. Ellie asks Nora for Abby's whereabouts again, offering the ultimatum of a swift death if Nora complies, or a much more painful and drawn-out one if she defies her. Nora begs Ellie to think about the consequences of Joel's actions, but Ellie does not care and gives Nora one last chance.

Nora remains loyal to Abby and refuses to give her up. Furious and impatient, Ellie brutally beats Nora with the pipe for answers. Eventually, Nora caves in and tells Ellie that Abby is hiding at the aquarium, as well as the motives for Joel's murder. Ellie executes her soon after. Ellie returns to the theater, traumatized and covered in blood. Dina and Jesse open the door, and are concerned for her. She tells them about Abby's whereabouts, still shaken from what she did to Nora. Dina takes Ellie to the theater dressing room to calm her down and tend to her wounds. Ellie breaks down and tells Dina about her interrogation of Nora, still in shock.

Ellie also tells Dina that she does not want to lose her, while Dina consoles and comforts her. Ellie wakes up the next day and leaves the dressing room. She finds Jesse watching Dina sleep on a couch in the lobby. Ellie goes upstairs with Jesse to talk privately. Jesse tells her that Dina could barely keep water down, and asks if she is pregnant. Ellie confirms that she is. Jesse tells Ellie that, while he understands why Ellie came to Seattle, it is not safe for Dina.

Ellie agrees, but is unwilling to return to Jackson without Tommy. The pair agree to stake out the aquarium, believing Tommy will eventually go there after Abby. Ellie wakes Dina up so she can see them out and lock the theater doors. Ellie and Jesse head west from the theater, through collapsed, flooded streets in search Tommy and Abby. On the way, Ellie explains why Abby's group killed Joel, in vague terms to avoid revealing her immunity. She also explains why Dina did not tell him about the pregnancy, and and describes her and Dina's first two days in Seattle. Jessie asks Ellie if she will really leave Seattle once they find Tommy, even if it means leaving some of Abby's friends alive.

Ellie confirms that she will, as Dina needs care in Jackson. Eventually, they reach high enough ground to see how far they are from the aquarium, but they find that the streets below are flooded for miles. They realize they need to steal a boat from the WLF to reach the aquarium. The two sneak down into a flooded shopping mall, but overhear that a sniper was sighted near the marina, over the WLF's radio communications. After climbing up into a shop for cover, Jesse is now convinced that Tommy is the sniper at the marina, could be in danger, and they should go to help him.

However, Ellie is adamant about stealing a boat and going after Abby at the aquarium, insisting Tommy can look after himself. Ellie navigates the flooded streets as a thunderstorm rises. She steers the boat through rapids and skirmishes between the WLF and Seraphites, eventually reaching an abandoned arcade she has to cut through before reaching the aquarium.

Ellie's path is blocked by a security gate, and the chain for the gate is obstructed by a metal beam. Ellie searches the arcade and finds a cart she can use to climb through an opening above a locked door. The weight of the trolley causes the rotting floor underneath her to break, falling into the floor below and disturbing a Bloater and several Runners. Ellie kills the Infected and proceeds to move the beam away from the chain. She then opens the gate and continues on to the aquarium by boat. Before she reaches the aquarium, the boat's engine stalls and the waves sweep Ellie into the waters below. She resurfaces and swims the final stretch to the aquarium. Upon swimming to shore, Ellie breaks into the aquarium.

While walking around, she finds an open vent and crawls through the ventilation shaft, until it ends up breaking and sending Ellie falling down onto the floor. The sound alerts a guard dog to Ellie's location, which then pounces on Ellie and tries to kill her, but Ellie stabs and kicks the dog off, killing it. Ellie continues on and finds Owen Moore 's belongings. As Ellie moves towards the aquarium lobby, she overhears and walks in on Owen arguing with Mel. As Mel is about to leave the lobby, upset with Owen, Ellie draws her gun and orders the pair to put their hands up. She demands Abby's whereabouts from them. They initially refuse to cooperate, but Ellie takes out her map and demands Mel to mark her map first. Growing impatient, Ellie moves closer to Mel, causing Owen to attempt to wrestle the gun from Ellie's hands, but Ellie shoots him through his chest.

Mel draws her knife, and wrestles Ellie against a counter to stab her in the throat but Ellie parries the knife, pushes Mel to the floor and stabs her in the throat, killing her. Seeing that Owen is still alive, she barks for Abby's location from him, but Owen gurgles Mel is pregnant, as he drowns in his own blood. Returning to her senses, Ellie paces over to Mel, unzips her jacket and sees Mel is heavily pregnant.

Horrified by her actions, Ellie's hearing goes out as she collapses to her knees in a panic attack. In the midst of her panic attack, a man shows behind her calling her name. Alarmed, she turns around and points her gun at the man, but stands down when she sees that Tommy has arrived with Jesse. Tommy takes Ellie by the arm and calms her down, leading her and Jesse from the aquarium and back to the theater. Ellie's map is left behind in Owen's blood.

Later on in the night, Ellie lies beside and watches over Dina as she sleeps in the theater dressing room. She then gets up and finds Jesse and Tommy on the stage, discussing the quickest route home to Jackson. Tommy tells Ellie that Abby's friends got what they deserved. While Ellie is dissatisfied with having to let Abby go, she agrees to doing so. Tommy also mentions that he collected a gold necklace for Maria as an apology gift for worrying her. Whilst Jesse doubts its authenticity, Tommy heads into the theater lobby to marvel over the necklace. Ellie and Jesse spend a moment alone to talk with each other, with Ellie thanking Jesse for coming back and looking out for her.

Before the pair can continue speaking however, they hear someone attacking Tommy. Alerted, they run to Tommy, but as they burst through the doors to the lobby, the intruder shoots Jesse in the face, killing him, leaving Ellie shocked. The intruder is Abby Anderson , with a young boy named Lev as backup. Abby orders Ellie to stand back up, while threatening Tommy's life. Despite Tommy's protests, Ellie exits cover and tosses her gun aside upon Abby's orders.

Ellie tells Abby that she knows she killed Joel to avenge the Fireflies, and begs her to let Tommy go. Enraged with what Ellie and Tommy did to her friends after she spared them in Jackson, Abby prepares to shoot Ellie. Ellie seizes the chance to grab Jesse's gun and escape into the theater, with Abby giving chase while Lev watches the exits. Once both are backstage, Abby and Ellie brawl, eventually fighting in the basement.

Although Ellie manages to stab Abby's thigh, Abby gains the upper hand, breaking Ellie's arm before beating her within inches of her life. At that moment, Dina charges at Abby with a knife. She knocks Abby away from Ellie and slashes her arms and face. Lev shoots Dina through the shoulder, allowing Abby to bash her head into the floor, knocking her unconscious. Seeing this as a chance to avenge Mel, Abby moves to slit Dina's throat but Lev pleads against it. Conceding, Abby tosses Dina aside and walks over to the beaten Ellie. She looks down and warns Ellie to never cross paths with her again. As Abby and Lev leave, Ellie looks over at Dina, contemplating what her actions have cost her. Ellie, Dina, and the now physically disabled Tommy manage to return to Jackson.

On returning, Ellie swears to Tommy she will one day kill Abby. Sometime later, Dina gives birth to a boy named JJ, and Ellie helps to raise him on a farm outside of Jackson. While they are a happy family, Ellie remains psychologically traumatized from her ordeals. She has difficulty eating, and suffers from insomnia, panic attacks, and flashbacks of her failing to save Joel's life.

One day after Ellie finishes hunting, she finds Tommy playing with JJ. Ellie asks Tommy for news about Jackson and Maria, to which he reveals he and Maria have separated. Tommy tries to convince Ellie to kill Abby in his place due to his weakened state but Ellie refuses to do so. Disappointed, Tommy reminds Ellie about her promise before leaving the house. Dina then has Ellie hold JJ for her while she confronts Tommy. Later that night, Ellie wakes up freezing and closes the windows. While Ellie closes the living room window, she accidentally knocks Joel's guitar to the ground.

Ellie picks it up and plays it by the window. She then decides to pursue Abby and begins packing a bag. However, Dina awakens and finds her. She asks Ellie to come back to bed and discuss it in the morning but Ellie reveals she had made up her mind, convinced killing Abby will end her trauma. Despite Dina begging her to stay, Ellie leaves the house. Ellie heads towards the town, fighting a few Infected along the way, until she is caught in a trap that suspends her from a tree upside down, and her side is pierced by a branch. Unable to escape, Ellie soon loses consciousness. Hours later, she awakes as two Rattlers approach her in the trap.

Calling Abby's name in her confusion, she is cut down by them. Seizing the moment, Ellie goads the small Rattler into pulling her into a Clicker, also trapped. She forces him onto the Clicker, who bites him, and uses his submachine gun to shoot the large Rattler in the knees, incapacitating him. Before Ellie could finish him off, he claims that he heard her speaking about Abby and reveals that she was captured with Lev and brought to their base. After the Rattler points out the base's location to Ellie, she executes him. Ellie treats her wound and makes her way to the Rattler dome, fighting some of them along the way. Upon arriving there, she sees the Rattlers using Infected as guard dogs.

Nevertheless, she fights her way through the resort and reaches the cells where the prisoners are kept. She is ambushed by a Rattler with a bat, but manages to fend her off and toss her toward the cells. The prisoners seize the chance to choke the Rattler out and take her keys to free themselves. The group then steal some weapons from the gun cache and prepare to assault the Rattlers, but Ellie stops them and asks them about Abby. One of the prisoners informs her that Abby tried to escape and was strung up on the pillars at the nearby beach, left to die.

A wounded Ellie then proceeds outside to the beach as the prisoners launch their attack on the Rattlers. At the beach, she finds the pillars, where several people are strung up, exposed to the elements. On one of those pillars, she finds Abby, emaciated, tired and dying, but still alive. Abby recognizes Ellie as she is cut down. She then frees Lev, also weak, from another pillar, and picks him up. She informs Ellie about some boats anchored not far from their location, and walks up to them, with Ellie following her. As they arrive, Abby puts Lev in a boat, while Ellie puts her backpack in another. Remembering Joel's death, Ellie demands Abby to fight her. When Abby refuses, Ellie threatens Lev with her switchblade, after which Abby concedes.

They fight relentlessly, with Abby punching Ellie and Ellie slashing at Abby. Eventually, Ellie loses her switchblade in the water, forcing her to fight hand-to-hand. After a few more blows, Ellie tries to drown Abby, which causes Abby to bite off two of her left fingers. In pain, Ellie again forces Abby's head down the water, this time with Abby unable to break free. As Abby slowly drowns, Ellie remembers Joel playing his guitar, and ultimately lets Abby go. Crying, she tells Abby to take Lev and leave, and stays sitting in the water as the other two depart. After her confrontation with Abby, Ellie travels back to Wyoming and returns to the farm shared with Dina, only to find it abandoned.

She makes her way to her drawing room, where she finds Joel's guitar. Ellie tries to play it, but her lack of two fingers makes it impossible to play correctly. She stops playing and remembers her last conversation with Joel. Afterwards, she gently places the guitar by the window and leaves the house. Having been raised in an environment where modern standards and values have deteriorated, Ellie is considerably rash, foul-mouthed, impulsive, and temperamental, and is unfazed by the notion of using violence as a means to an end or profanity as a way of expressing how she feels. However, she manages to maintain a particular innocence as she has yet to see the darkest sides of human nature, and retains a palpable trust in people. This serves as the juxtaposition to Joel's wary, morose, and cynical outlook on post-pandemic life.