Allusion In The Yellow Wallpaper

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Allusion In The Yellow Wallpaper



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The Yellow Wallpaper by Charlotte Perkins Gilman - Symbols

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By the end of the story, she rips off the yellow wallpaper and kills her husband. The narrator 's husband John, who also happens to be her physician, prescribes the rest cure to help lift his wife of her depressive state and ultimately heal her depression. However, the rest cure does not allow the narrator to experience any mental stimulation. Therefore, to manage her boredom the narrator begins obsessing over the pattern of the yellow wallpaper. After analyzing the pattern for awhile, the narrator witnesses a woman trapped behind bars. Through the development of this story, it shows how passive women with postpartum depression were treated poorly and it resulted in mentally ill patients rather than healthy ones.

The ever changing tone, vivid imagery, and ironic situations all show how the woman comes to understand who she is. The narrator in this story comes to the realization that she is the woman in the wallpaper she has envisioned- trapped in this world by her own husband. To break free of this entrapment, she ripped off all the wallpaper so no one could put her back into her horribly vivid. Patronized Depression Could it be that the cause of sin and madness is due to the limitation of the human mind? The Yellow wallpaper is seen as a way to escape her depression. I wonder— I begin to think—I wish John would take me away from here! Shortly after the narrator who remains unnamed and her husband John rented an old mansion, the narrator encountered a state of delusion in the wallpaper that surrounded her.

In the beginning of the story, we learn that the narrator has recently had a baby and John has taken her away for the summer. The third While at the home the Narrator studies the wallpaper and starts to believe there is a woman in the wallpaper. Her obsession with the wallpaper slowly makes her mental state deteriorate. Throughout The Yellow Wallpaper Charlotte Perkins Gilman uses many literary devices such as symbolism, personification and imagery to help convey her message and get it across to the reader. He is insensitive and would rather harm his own family Gradesaver. This essay endeavors to analyse the situation of two different women.

Mallard who confirm her about her husband death which made her heart broken. But at the same time she thought she could be free and enjoy her life because in the old time Women was under the mercy of her husband and must obey him which affect their life. Women have no rights and were under the mercy of her family. So when he pulled over at the hospital, he was arrested and then questioned as Rain was frantically rushed to the ER. When they found out she had broken her hip, social services was called to take Cap while Rain did rehab. The agent on the case was Mrs. Donnelly who was once a flower child herself. She moved to garland when she was little and then a moved out after a few years.

She felt bad for cap because she knew what it was like to move to the real world and attend a public school, so she took him into her home out of the kindness of her heart. It is a story that could actually happen. In the story, Jane expresses concerns about her mental health to her husband, John, a doctor, who through good intentions and believing that he is doing the right thing, requires that his wife stays in bed all the time, and not do any of the things she would normally or would like to do. Due to being bed ridden, Jane becomes worse until she reached the limit and goes crazy. The Yellow Wallpaper is considered to fall in the genre of realism because it represents the way life was for women during the nineteenth century.

In the novel, Rose, who is pregnant, moves across the country to live in a home for pregnant girls, where she later marries the handyman. She does not care about Son because she feels no sense of loyalty towards him. She soon begins to see a figure in the design. Eventually, she comes to believe that a woman is creeping on all fours behind the pattern. Believing she must free the woman in the wallpaper, she begins to strip the remaining paper off the wall.

When her husband arrives home, the narrator refuses to unlock her door. When he returns with the key, he finds her creeping around the room, rubbing against the wallpaper, and exclaiming, "I've got out at last Gilman used her writing to explore the role of women in America around She expanded upon many issues, such as the lack of a life outside the home and the oppressive forces of the patriarchal society. In "The Yellow Wallpaper," she portrays the narrator's insanity as a way to protest the professional and societal oppression against women.

While under the impression that husbands and male doctors were acting with their best interests in mind, women were depicted as mentally fragile. Women were even discouraged from writing because it would ultimately create an identity and become a form of defiance. Gilman realized that writing became one of the only forms of existence for women at a time when they had very few rights. After the birth of her first daughter, Gilman suffered postnatal depression and was treated by Dr. Silas Weir Mitchell , the leading expert on women's mental health at the time. He suggested a strict 'rest cure' regime involving much of bed rest and a blanket ban on working, including reading, writing, and painting. After three months and almost desperate, Gilman decided to contravene her diagnosis, along with the treatment methods, and started to work again.

Gilman sent a copy to Mitchell but never received a response. Gilman was ultimately proven right in her disdain for the "rest cure" when she sought a second opinion from Mary Putnam Jacobi , one of the first female doctors and a strong opponent of this theory, who prescribed a regimen of physical and mental activity that proved a much more successful treatment. She added that "The Yellow Wallpaper" was "not intended to drive people crazy, but to save people from being driven crazy, and it worked". Gilman claimed that many years later, she learned that Mitchell had changed his treatment methods. However, literary historian Julie Bates Dock has discredited this. Mitchell continued his methods, and as late as — 16 years after "The Yellow Wallpaper" was published — was interested in creating entire hospitals devoted to the "rest cure" so that his treatments would be more widely accessible.

Gilman gives her greatest thanks to Richard Bauer for being the only man who believed in her. This story has been interpreted by feminist critics as a condemnation of the male control of the 19th-century medical profession. Her ideas are dismissed immediately while using language that stereotypes her as irrational and, therefore, unqualified to offer ideas about her condition. This interpretation draws on the concept of the " domestic sphere " that women were held in during this period. Many feminist critics focus on the degree of triumph at the end of the story. Although some claim the narrator slipped into insanity, others see the ending as a woman's assertion of agency in a marriage in which she felt trapped.

If the narrator were allowed neither to write in her journal nor to read, she would begin to "read" the wallpaper until she found the escape she was looking for. Through seeing the women in the wallpaper, the narrator realizes that she could not live her life locked up behind bars. At the end of the story, as her husband lies on the floor unconscious, she crawls over him, symbolically rising over him. This is interpreted as a victory over her husband at the expense of her sanity. Lanser, a professor at Brandeis University, praises contemporary feminism and its role in changing the study and the interpretation of literature.

Critics such as the editor of the Atlantic Monthly rejected the short story because "[he] could not forgive [himself] if [he] made others as miserable as [he] made [himself]". Lanser argues that the same argument of devastation and misery can be said about the work of Edgar Allan Poe , but his work is still printed and studied by academics. Lanser argues that the short story was a "particularly congenial medium for such a re-vision At first, she focuses on the contradictory style of the wallpaper: it is "flamboyant" while also "dull", "pronounced," yet "lame," and "uncertain" p.

She takes into account the patterns and tries to organize them geometrically, but she is further confused. The wallpaper changes colors when it reflects light and emits a distinct odor that the protagonist cannot recognize p. At night the narrator can see a woman behind bars within the complex design of the wallpaper. Lanser argues that the unnamed woman was able to find "a space of text on which she can locate whatever self-projection". With the growth of feminist criticism, "The Yellow Wallpaper" has become a fundamental reading in the standard curriculum.

Feminists have made a significant contribution to the study of literature but, according to Lanser, are falling short because if "we acknowledge the participation of women writers and readers in dominant patterns of thought and social practice then perhaps our own patterns must also be deconstructed if we are to recover meanings still hidden or overlooked. Martha J. Cutter discusses how, in many of Charlotte Perkins Gilman's works, she addresses this "struggle in which a male-dominated medical establishment attempts to silence women". In this time period it was thought that women who received formal education amongst other causes could develop hysteria , a now-discredited [13] catchall term referring to most mental health diseases identified in women and erroneously believed to stem from a malfunctioning uterus from the Greek hystera , "womb".

At the time, the medical understanding was that women who spent time in college or studying were over-stimulating their brains and consequently leading themselves into states of hysteria. Many of the diseases recognized in women were seen as a lack of self-control or self-rule. Different physicians argued that a physician must "assume a tone of authority" and that the idea of a "cured" woman is "subdued, docile, silent, and above all subject to the will and voice of the physician". To be treated for her hysteria, she must submit to her physician, whose role is to undermine her desires.

Often women were prescribed bed rest as a form of treatment, which was meant to "tame" them and keep them imprisoned. Treatments such as this were a way of ridding women of rebelliousness and forcing them to conform to expected social roles. In her works, Gilman highlights that the harm caused by these types of treatments for women, i. Paula Treichler explains: "In this story diagnosis 'is powerful and public. It is a male voice that The male voice is the one in which forces controls on the female and decides how she is allowed to perceive and speak about the world around her.

It may be a ghost story. Worse yet, it may not. Lovecraft writes in his essay Supernatural Horror in Literature that "'The Yellow Wall Paper' rises to a classic level in subtly delineating the madness which crawls over a woman dwelling in the hideously papered room where a madwoman was once confined". She also mines Charlotte's diaries for notes on her reading.