Avatar Movie Essay

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Avatar Movie Essay



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Sometimes God is Justice, other times Mercy. This is how sophisticated religionists have understood theology for at least a thousand years: "God" is a series of insufficient explanations of the Absolutely Unknowable, a collection of projections and dreams and who-knows-what-else which, neo-atheists notwithstanding, speak to the core of who we are as human beings. To me, this is more comforting than old school theology, not less. It allows for multiple paths to the holy, radical ecumenicism and pluralism, and a bit less constriction around our favorite theological myths. God as Friend, Father, "motion and spirit that impels all things" - all of these become dances, tools of the inner life which are available when needed, and enriched, not lessened, by being increased in number.

Thousands of years ago, we may well have needed a Righteous Judge in the Sky as a myth to keep us in line. But now, not only is such a thing philosophically untenable "Where was God in Auschwitz? The sky god tells us that we humans are masters of the Earth; thus, we, like the humans in Avatar treat Earth as a resource to be exploited. The sky god tells us that only this book is sacred; thus we attack those with another book.

Traditional monotheism has indeed contributed to the growth of civilization, but not it is contributing to its downfall. Yes, the way of the Na'Vi is idealized - Avatar is a Hollywood cartoon. But it, not old-school-theology, holds the ideological promise of a more sustainable future on our planet as well as Pandora. In our post-industrial age, respect for the web of life is more ethically valuable -- and ecologically urgent -- than fear of Heaven. Third and finally, let's take a reality check. Douthat and others suggest that all faiths are basically myths, and that we should pick and choose among them by their consequences. Yet, news flash: Old Testament God probably doesn't exist. Is Ai'Wa any different? Here's the thought experiment: right now, please raise your right index finger.

Now, reflect for a moment and list out all the various motives you had for raising, or not raising, your finger: curiosity, skepticism, doubt, whatever. All of those factors, if you look closely, are conditioned by things outside of "you" - your genetics, your upbringing, what you ate for lunch, whatever. Who really moved? The conditions moved. The Na'Vi call "the conditions" by the name Ai'Wa. Hindus call it Brahman. It's not God that's a trick of the neurons in your brain - you are. Archived from the original on March 27, Retrieved March 27, Information Management. Archived from the original on March 29, Retrieved March 28, Linux Journal.

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Then, Avatar arrived. The good news was that, technically, I could see that we can do everything now. The film proved that imagination is the only limit. The bad news is, I threw my script in the garbage, literally, when I came back from the screening. Archived from the original on May 17, Retrieved May 21, Archived from the original on May 25, Archived from the original on December 4, Retrieved November 28, January 17, Archived from the original on January 15, Online Critics like 'Avatar ' ". Archived from the original on June 10, Louis Film Critics Awards ". British Academy of Film and Television Arts. January 21, Archived from the original on April 1, Archived from the original on July 11, Retrieved July 8, Retrieved August 14, Archived from the original on November 26, Retrieved May 25, The Huffington Post.

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While acting as avatars, they see, fear, taste and feel like Na'vi, and have all the same physical adeptness. This last quality is liberating for the hero, Jake Sully Sam Worthington , who is a paraplegic. He's been recruited because he's a genetic match for a dead identical twin, who an expensive avatar was created for. In avatar state he can walk again, and as his payment for this duty he will be given a very expensive operation to restore movement to his legs.

In theory he's in no danger, because if his avatar is destroyed, his human form remains untouched. In theory. On Pandora, Jake begins as a good soldier and then goes native after his life is saved by the lithe and brave Neytiri Zoe Saldana. He finds it is indeed true, as the aggressive Col. Miles Quaritch Stephen Lang briefed them, that nearly every species of life here wants him for lunch. Avatars are not be made of Na'vi flesh, but try explaining that to a charging ton rhino with a snout like a hammerhead shark.

The Na'vi survive on this planet by knowing it well, living in harmony with nature, and being wise about the creatures they share with. In this and countless other ways they resemble Native Americans. Like them, they tame another species to carry them around--not horses, but graceful flying dragon-like creatures. The scene involving Jake capturing and taming one of these great beasts is one of the film's greats sequences. Cameron said it would, and many doubted him. It does. Pandora is very largely CGI.

The Na'vi are embodied through motion capture techniques, convincingly. They look like specific, persuasive individuals, yet sidestep the eerie Uncanny Valley effect. And Cameron and his artists succeed at the difficult challenge of making Neytiri a blue-skinned giantess with golden eyes and a long, supple tail, and yet--I'll be damned. At minutes, the film doesn't feel too long.

It contains so much. The human stories. The Na'vi stories, for the Na'vi are also developed as individuals. The complexity of the planet, which harbors a global secret.