Analysis Of Oedipus Rex
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Oedipus Rex - Critical Analysis -
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The wording of the Oracle: "I was doomed to be murderer of the father that begot me" refers to Oedipus' real, biological father. Likewise the mother with polluted children is defined as the biological one. The wording of the drunken guest on the other hand: "you are not your father's son" defines Polybus as only a foster father to Oedipus. The two wordings support each other and point to the "two set of parents" alternative.
Thus the question of two set of parents, biological and foster, is raised. Oedipus' reaction to the Oracle is irrational: he states he did not get any answer and he flees in a direction away from Corinth, showing that he firmly believed at the time that Polybus and Merope are his real parents. The scene with the drunken guest constitutes the end of Oedipus' childhood. He can no longer ignore a feeling of uncertainty about his parentage.
However, after consulting the Oracle this uncertainty disappears, strangely enough, and is replaced by a totally unjustified certainty that he is the son of Merope and Polybus. We have said that this irrational behaviour—his hamartia , as Aristotle puts it—is due to the repression of a whole series of thoughts in his consciousness, in fact everything that referred to his earlier doubts about his parentage. The exploration of the theme of state control in Oedipus Rex is paralleled by the examination of the conflict between the individual and the state in Antigone. The dilemma that Oedipus faces here is similar to that of the tyrannical Creon : each man has, as king, made a decision that his subjects question or disobey; and each king misconstrues both his own role as a sovereign and the role of the rebel.
When informed by the blind prophet Tiresias that religious forces are against him, each king claims that the priest has been corrupted. It is here, however, that their similarities come to an end: while Creon sees the havoc he has wreaked and tries to amend his mistakes, Oedipus refuses to listen to anyone. Sophocles uses dramatic irony to present the downfall of Oedipus. At the beginning of the story, Oedipus is portrayed as "self-confident, intelligent and strong willed. One of the most significant instances of irony in this tragedy is when Tiresias hints at Oedipus what he has done; that he has slain his own father and married his own mother lines —60 : [31].
To his children he will discover that he is both brother and father. To the woman who gave birth to him he is son and husband and to his father, both, a sharer of his bed and his murderer. Go into your palace then, king Oedipus and think about these things and if you find me a liar then you can truly say I know nothing of prophecies. The audience knows the truth and what would be the fate of Oedipus. Oedipus, on the other hand, chooses to deny the reality that has confronted him.
He ignores the word of Tiresias and continues on his journey to find the supposed killer. His search for a murderer is yet another instance of irony. I hereby call down curses on this killer This too I pray: Though he be of my house, if I learn of it, and let him still remain, may I receive the curse I have laid on others. This is ironic as Oedipus is, as he discovers, the slayer of Laius, and the curse he wishes upon the killer, he has actually wished upon himself. He is unaware that he is the one polluting agent he seeks to punish. He has inadequate knowledge Literal and metaphorical references to eyesight appear throughout Oedipus Rex.
Clear vision serves as a metaphor for insight and knowledge , yet the clear-eyed Oedipus is blind to the truth about his origins and inadvertent crimes. The prophet Tiresias , on the other hand, although literally blind, "sees" the truth and relays what is revealed to him. It is deliberately ironic that the "seer" can "see" better than Oedipus, despite being blind. Since you have chosen to insult my blindness— you have your eyesight, and you do not see how miserable you are, or where you live, or who it is who shares your household.
Do you know the family you come from? Oedipus switches back and forth calling Laius a tyrant lines [35] and a king lines [35] throughout the duration of the play. This is done as a way so as to make Laius his equal in terms of ruling. Laius was a legitimate king, whereas Oedipus had no legitimate claim to rule. Oedipus's claims of calling Laius a tyrant hints at his own insecurities of being a tyrant. Sigmund Freud wrote a notable passage in Interpretation of Dreams regarding the destiny of Oedipus, as well as the Oedipus complex. It is the fate of all of us, perhaps, to direct our first sexual impulse towards our mother and our first hatred and our first murderous wish against our father.
Our dreams convince us that this is so. In this version, the entire play is performed by the cast in masks Greek: prosopon , as actors did in ancient Greek theatre. The second English-language film version, Oedipus the King , was directed by Philip Saville and filmed in Greece. Sutherland's voice, however, was dubbed by another actor. The film went a step further than the play by actually showing, in flashback, the murder of Laius portrayed by Friedrich Ledebur. It also shows Oedipus and Jocasta in bed together, making love. Though released in , this film was not seen in Europe or the US until the s and s after legal release and distribution rights were granted to video and television.
It presented the actors in modern dress. Toshio Matsumoto 's film, Funeral Parade of Roses , is a loose adaptation of the play and an important work of the Japanese New Wave. Park Chan-wook's South Korean film , Oldboy , was inspired by the play while making several notable changes to allow it to work in a modern South-Korean setting. It received widespread acclaim, and is seen in South Korea as the definitive adaptation. It is scored for orchestra, speaker, soloists, and male chorus.
The narration, however, is performed in the language of the audience. The work was written towards the beginning of Stravinsky's neoclassical period and is considered one of the finest works from this phase of the composer's career. He had considered setting the language of the work in Ancient Greek , but decided ultimately on Latin because, in his words, "a medium not dead but turned to stone.
Territory of New Mexico. Peter Schickele parodies both the story of Oedipus Rex and the music of Stravinsky's opera-oratorio of the same name in Oedipus Tex , a Western-themed oratorio purportedly written by P. Chrysanthos Mentis Bostantzoglou makes a parody of the tragedy in his comedy Medea In episode ten of the second season of the Australian satirical comedy show CNNNN , a short animation in the style of a Disney movie trailer, complete with jaunty music provided by Andrew Hansen , parodies Oedipus Rex. Tom Lehrer wrote and performed a comedic song based upon Oedipus Rex in From Wikipedia, the free encyclopedia.
Classical Athenian tragedy by Sophocles. This article is about the play by Sophocles. For other uses, see Oedipus Rex disambiguation. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. March Learn how and when to remove this template message. Main article: Riddle of the Sphinx. This section does not cite any sources. Please help improve this section by adding citations to reliable sources. September Learn how and when to remove this template message. The prominence of the Theban plague at the play's opening suggests to many scholars a reference to the plague that devastated Athens in BC, and hence a production date shortly thereafter.
See, for example, Knox, Bernard American Journal of Philology. JSTOR The Columbia Encyclopedia. Columbia University Press. Introduction and trans. Sophocles: Ajax, Electra, Oedipus Tyrannus. By Sophocles. Loeb Classical Library ser. Harvard University Press. ISBN Sophocles, Oedipus Rex. Edited and translated by St. Tragic Pleasures: Aristotle on Plot and Emotion. The Walters Art Museum. Archived from the original on Free Will Guilt and Shame Sight vs. Blindness Finding Out the Truth Action vs. All Symbols Triple crossroad Swollen ankles. LitCharts Teacher Editions. Teach your students to analyze literature like LitCharts does. Detailed explanations, analysis, and citation info for every important quote on LitCharts.
The original text plus a side-by-side modern translation of every Shakespeare play. Sign Up. Already have an account? Sign in. From the creators of SparkNotes, something better. Literature Poetry Lit Terms Shakescleare. Download this LitChart! Teachers and parents! Struggling with distance learning? Our Teacher Edition on Oedipus Rex can help. Themes All Themes. Symbols All Symbols. In the story, the grandmother prioritized her interests rather than the interest of her family. As a result, the tragic ending occurred to everybody. With the example of grandmom, the author shows how the desire to achieve personal needs affects society. The main character of the story — the grandmother — is an entirely selfish woman. Her selfishness reflects in the way she acts, the way she interacts with her family, even in the way she dresses up.
The grandmother is always concerned about her appearance. She is obsessed with the idea of being a lady. So, she dresses up in elegant dresses and fancy hats. Thus, she does not spend time with her grandchildren or help her daughter-in-law with household chores. Instead, the grandmother devotes all the time she has on herself, choosing appropriate dresses and hats. Besides being ignorant, the grandmom is also a manipulative woman. She effectively manipulates her family members to suit her interests. She just thinks that her cat would be missing her if she left it alone at home.
As a result, the cat becomes a cause of a terrible car crash. Moreover, the grandmother manipulates her family to see a plantation she saw many years ago. After taking a nap in the car, she suddenly remembers a beautiful place she visited while being young. She wants to recall these memories, so she urges her son to go off the road. The grandmother is sure that Bailey will not be willing to spend much time in an old plantation. Thus, she lies her grandchildren children about a secret panel with plenty of silver in that house. In reality, she does not know for sure how long it would take to reach that place.
However, her sense of self-importance makes her lie to her family. She manipulates her son to achieve the desired result. Being under the pressure of his mother, Bailey follows her directions. As a result, they get into a car accident and meet The Misfit. In the story, the individualism of the woman is confronted with the individualism of the Misfit. Both characters achieve their own needs through surrounding people. They take whatever they need and move forward, not taking into consideration the needs of others. Both the grandmom and The Misfit are predisposed to be humane. For example, the woman tries to convince the prisoner about the significance of spiritual values.
Thus, she has a clear image of what kindness means. Similarly, The Misfit seems to be a well-behaved person from first sight. For instance, he apologizes for being dressed improperly. Nevertheless, in the inner battle of good and evil, evil wins in both characters. Therefore, individualism takes the upper hand in the character set of both: the grandmother and the Misfit.
