Elvis Costello Real Name
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Elvis Costello \u0026 The Attractions - Oliver's Army (Official Music Video)
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Was I purposefully fucking up my life to give myself something to write about? I think I did that for about a year. At the very most. Then I began to mistrust the results. Because if you do that, it's like when they pour acid in rabbit's eyes or something. What does it prove? It proves that it hurts the animal. Very smart. It's unnecessary research. And I guess I did some unnecessary research for a while. Then I'd write something that would scare the hell out of me.
Like there's a couple of songs on Get Happy!! And I thought, 'Uh-uh And it gets a bit fucking evil. It was difficult to develop an original style. I have no idea who it was I might have been imitating, whether consciously or unconsciously. My mother tells the story of me bringing a 45 home and saying, 'It's unbreakable! I get to play festival occasions with an orchestra - a jazz orchestra or a symphony orchestra. Believe me, that stops it from getting monotonous.
Each performance requires slightly different dynamics really, really keeps the music from getting routine. Everything in show business is [theatrical] to a degree, you know. You don't go up there in your street clothes. And I've worked with a nom de guerre - a nom de plume, a nom de plank - all my career. So to me it's not unusual to take on a character to go up there. It doesn't make what you're singing about less sincere. Both as a composer and certainly in the work we've done together, he's constantly surprising. It's hard to say what he's playing half the time, and what instruments he's playing: all sorts of sounds are coming out. It's fantastic. The record didn't get Mandela released, but it did increase the membership of the anti-apartheid movement, because Jerry Dammers very intelligently printed their address on the sleeve.
And the record introduced Mandela to a lot of people who maybe otherwise would never have heard of him. And there's a point where political art only works on that level - the communication of basic information. It just says, 'I'll only be happy when this woman's dead. But it's meant to be. I make no apology for that song. It's an honest emotional response to events, and writing it was like casting out demons or something. And the song itself is the result of a form of madness, because when you get to that point of thinking these thoughts, actually wishing somebody dead, it really does become a form of madness.
It's a psychopathic thought. And it's fucking disturbing to find it in your own head. But it would be cowardly not to express it. Because once it's there, if you don't get it out, it's only going to come back and haunt you some more. I also think you have to remember that it's not only her that the song is aimed at. It's what she represents. The way she's changed the way people value things. It's like some kind of mass hypnosis she's achieved. People are afraid to speak out. You know, one thing I thought I'd be asked when people heard it was whether I was saying it might've been a good thing if she'd died in the Brighton bombing.
I don't think so. It would have made things 10 times worse, because then she would have been a martyr. We would have had a dead queen. So really, in a profound sense, the song is hopeless. It's a hopeless argument. Because I think it's a hopeless situation. So, no, it's not in a large, historical sense, going to change anything. I don't know much about Morrissey. Apart from the fact he sometimes brings out records with the greatest titles in the world that somewhere along the line he then neglects to write songs for. I used to think a change might come but when one considers the kind of mediocre entrepreneur who might be foisted upon us as a President, it's enough to make the most hard-hearted "Republican" long for an ermine stole, a sceptre and an orb To be honest, I'm pretty tickled to receive this acknowledgement for my 'Services To Music', as it confirms my long held suspicion nobody really listens to the words in songs or the outcome might have been somewhat different.
View agent, publicist, legal and company contact details on IMDbPro. He continued: "It's one of the strongest songs on the album. It has a haunting quality that had never been present in Costello's work. Perone, in his book "The Words and Music of Elvis Costello", cited "Almost Blue" along with two other songs from Imperial Bedroom as a "demonstrat[ion of] Costello's increasingly successful integration of balladry into his palette of vocal techniques". The live edition would later be added to the accompanying live album , titled My Flame Burns Blue Jennifer Jason Leigh performed the song in the independent film Georgia at a fictitious nightclub.
Her take on the track included drums and bass performed by John C. Reilly and Tony Marsico, respectively, and featured a saxophone and harmonica interlude as performed by Jimmy Z. American trumpeter Chet Baker recorded the tune in for the documentary Let's Get Lost and it was released on the soundtrack album. He also covered it in concert on June 14, , in Tokyo , creating an extended version totaling seven minutes and fifty-three seconds.
After his death in , it was released on his posthumous album Chet Baker in Tokyo Both Krall and Tommy LiPuma produced the track, which is over a minute longer than Costello's original rendition. An accompanying music video to Krall's version was created and released in , and eventually uploaded onto her official Vevo account on October 6, Much of the song's production is similar to its original counterpart; it was written by Costello, while Krall and Tommy LiPuma handled the track's production.
Krall's version of "Almost Blue" divided critics. On a positive note, Thom Jurek of AllMusic enjoyed its blues roots and called the cover "striking". Club questioned its overall composure for not "do[ing] much". From Wikipedia, the free encyclopedia. Song by Elvis Costello. Diana Krall Tommy LiPuma. Chicago Review Press. ISBN Retrieved 18 September Blue Rider Press. Elvis Costello and the Attractions. F-Beat Records. XXLP Hal Leonard Corporation. Stylus Magazine. Elvis Costello and the Attractions, 'Imperial Bedroom ' ". Rolling Stone. Archived from the original on 4 February The Words and Music of Elvis Costello.
Elvis Costello. Deutsche Grammophon. Columbia Records. CK Various artists. Discovery Records. La Repubblica in Italian. Chet Baker.
