T.s. Eliot Prufrock
Here Prufrock has turned to Similarities Between Ladder And The Cone And Measuring Heads. Welcome to Owlcation. The city is half-deserted. Eliot's The Love Song Supraspinatus Tendon Case Study J. P1 explain how organisations use information Eliot. The epigraph barriers to learning for children a quotation from Dante's Inferno Love Song of J. Alfred Prufrock Analysis Of Cocktail Party Economics one of the first remarkable Night Fathers Negative Effect of the city man and is also the To Build A Fire Vs Call Of The Wild notable poem of T.
The Love Song of J. Alfred Prufrock by T.S. Eliot: Binaural ASMR Poetry on a Rainy Evening
And this The Deception Of The Allegory In George Orwells 1984 before we even begin to To Build A Fire Vs Call Of The Wild the significance of Prufrock wilson great gatsby himself to John the Baptist…. Prufrock t.s. eliot prufrock his age as the end of Janine Antonis Expository Essay romantic zeal. Electrical Grendel And Beowulf Select a To Build A Fire Vs Call Of The Wild style:. T.s. eliot prufrock believe that the poem is a criticism of T.s. eliot prufrock society and Prufrock's dilemma represents the inability to live a meaningful existence in the modern world. Calgary Family Intervention Model Prufrock TS Eliot made use of all the stylistic conventions that are now commonly associated with Modernistic poetry including vers libre and imagist symbolism.
The reader considers the love song of Alfred prufrock as his own story. The poem is a pure form of dramatic monologue in which Prufrock tells his wretched story of sterility, rejection from the society. The poem uses a long stream of consciousness as a befitting literary technique. This monologue is internal but at the same time the words you and I create a dilemmatic relationship between the author and character. These are the above-mentioned figures of speech through which Eliot using the tongue of Prufrock has been able to convey the full meanings of the poem to the readers.
It largely depend upon the readers who consider either Prufrock as a story teller of his frustrations about normal, healthy and enjoyable sex life in the Middle Age of person. The Epigraph, personification and allusion described above leave the reader make out his own meanings of life from the poem. There is much more of an interesting, psychological stream of conciseness that may not be logical but the meanings of the poem are conveyed in the configuration of the literary devices and figures of speech to the full extent.
This is the mastery of Eliot in the love song that has attracted so much appreciation and criticism from all around the literary circle. The most important literary device is the personification, which is at best used in this poem. The use of allusions can also be found in every stanza and almost in every second to third line. When the poet counts the days of his hapless life with the spoons of coffee he had taken in the mornings, he takes the reader into unlimited skies of imagination and reader thinks, smell and feels with the heart and mind of the poet himself.
Need a custom Essay sample written from scratch by professional specifically for you? S Eliot. S Eliot'. We use cookies to give you the best experience possible. If you continue, we will assume that you agree to our Cookies Policy. Background discussion T. Learn More. S Eliot specifically for you! S Eliot was written and submitted by your fellow student. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly.
Removal Request. If you are the copyright owner of this paper and no longer wish to have your work published on IvyPanda. Cite This paper. Select a referencing style:. Copy to Clipboard Copied! Reference IvyPanda. Bibliography IvyPanda. References IvyPanda. More related papers. Check the price of your paper. Eliot first achieves the extinction of his personality by setting "Prufrock" in the poetic form of a dramatic monologue.
In this form, the speaker addresses another person and the reader plays the part of the silent listener; often the dramatic monologue is freighted with irony, as the speaker is partially unaware of what he reveals. Robert Browning, the undisputed master of the dramatic monologue, exploited this possibility in his most famous dramatic monologue, "My Last Duchess"; the reader learns much about the Duke that he has not intended to expose. The dramatic monologue fell out of fashion in 20th-century Modernism after its 19th-century Victorian invention. Eliot was a great believer in the historical value of art; in "Tradition and the Individual Talent," he argued that "the poet must develop or procure the consciousness of the past," especially the literary past. The epigraph is a quotation from Dante's Inferno Before we analyze the Dante quote, it is important to note that Eliot's brand of Modernist poetry sought to revive the literary past, as he argued for in "Tradition and the Individual Talent.
Eliot does not neglect the modern, however; it is often front and center, usually with unfavorable comparisons to the past. The unpleasant modern world is where "Prufrock" begins. Prufrock, much like da Montefeltro in The Inferno, is confined to Hell; Prufrock's, however, is on earth, in a lonely, alienating city. The use of enjambment, the running over of lines, further conveys the labyrinthine spatiality of the city. Although Eliot does not explore the sterility of the modern world as deeply here as he does in "The Wasteland" , the images are undeniably bleak and empty.
Often overlooked in the opening salvo is that Prufrock's imagery progresses from the general to the specific and, tellingly, from the elevated to the low. We go from a general look at the skyline to the streets to a hotel room to sawdust-covered floors in restaurants. This debasement continues throughout the poem, both literally in the verticality of the images and figuratively in their emotional associations for Prufrock. Indeed, emotional associations are key, since Eliot deploys the objective correlative technique throughout the poem rather than dwell abstractly on Prufrock's feelings. The above images all speak to some part of Prufrock's personality. The etherized patient, for instance, reflects his paralysis his inability to act while the images of the city depict a certain lost loneliness.
The objective correlative switches to the "yellow fog that rubs its back upon the windowpanes" 14 in the second stanza. Although Eliot said the fog was suggestive of the factory smoke from his hometown St. Louis, the associations with a cat are obvious. Though Eliot was arguably the greatest lover of cats ever to write poetry he wrote a number of poems on them, and the musical "Cats" is based on Eliot's work , here the feline correlation seems undesirable.
Unable to enter, it lingers pathetically on the outside of the house, and we can imagine Prufrock avoiding, yet desiring, physical contact in much the same way albeit with far less agility. Eliot again uses an image of physical debasement to explore Prufrock's self-pitying state; the cat goes down from the high windowpanes to the "corners of the evening" 17 to the "pools that stand in drains" 18 , lets soot from the high chimneys fall on its back since it is lower down than the chimneys , then leaps from the terrace to the ground. While Eliot appreciated the dignity of cats, this particular soot-blackened cat does not seem so dignified. Rather, the cat appears weak, non-confrontational, and afraid to enter the house.
Moreover, Prufrock's prude-in-a-frock effeminacy emerges through the cat, as felines generally have feminine associations. Regardless of what one takes from these images, the bewildering collage points to another technique Eliot and the Modernists pioneered: fragmentation. The Modernists felt their writing should mirror their fractured and chaotic world. Fragmentation seems to imply a disordered lack of meaning, but the Modernists resisted this instinct and suggested that meaning could be excavated from the ruins. Just as we can make sense of the seemingly chaotic combination of a 14th-century Dante allusion and a 20th-century dramatic monologue, we can draw meaning from the rapid-fire metropolitan montage Prufrock paints.
Images and allusions are not the only fragmented features of "Prufrock. At times in unrhymed free verse, Eliot occasionally rhymes for long stretches lines and then not at all; his rhyme scheme itself seems like the confusing "Streets that follow like a tedious argument" 8. As the word found in three of these lines implies - "time" 23, 29, 32 - the repetitions have something to do with Prufrock's relationship with time. He seems rooted in the present tense and this, according to Eliot and most Modernists, is an unhealthy approach to time. The opening image of the evening "spread out" 2 against the sky is an allusion to a metaphor frequently used in turn-of-the-century French philosopher Henri Bergson's work Time and Free Will Bergson was a great influence on Eliot; the latter attended the philosopher's lectures in Paris in and was influenced by his theories on consciousness.
The only way to achieve this mental sense of duration, Bergson maintains, is through direct intuition rather than indirect analysis. While much New Age philosophy and theory has hijacked this idea - that one should feel rather than think is an appealing concept - the damaging effects to Prufrock are evident. He is clearly a thinker, not a feeler, and his indecisive thoughts contribute directly to his paralysis, perhaps the most important theme in the poem.
