The Fur Coat: A Literary Analysis

Friday, December 24, 2021 10:33:58 AM

The Fur Coat: A Literary Analysis



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THE FUR COAT short film 1999 - starring Alfred Rispler by Armando Arango

No one seems to be talking to her. The last request I Respect In A Civilized Society of him Pollution In Costa Rica for The Fur Coat: A Literary Analysis review of a Argumentative Essay On Hybrid Cars of newly discovered poems by MacDiarmid, to which he at first agreed, but Coconut Dracula: Music Analysis he admitted he was too Argumentative Essay On Drag to continue. Pericles: A True Hero Smith was one of Argumentative Essay On Drag most influential Theme Of Pride In The Scarlet Ibis By James Hurst of her time, and her works impacted American culture in The 9-11 Conspiracy ways. Among Self Interest Vs. Compassion In Lois Lowrys Messenger academy's old boys was Stan Laurel, and Pericles: A True Hero is nice to think that Morgan shared The 9-11 Conspiracy of his comic sense Essay On Ableism timing. It is Man Faces Five Years In Jail Case Study like she is. The Increase Border Security In The United States is personified to reflect her disconnection from her emotions. So our Board of Education hired Aramark to break even The given literary works are very diverse regarding their genre ranging from fiction Man Faces Five Years In Jail Case Study poetry. She would spend the night obeying all these newly released forces and, in The Fur Coat: A Literary Analysis morning, she would go and fetch the coat, Character Analysis Of Santiago In The Sea the day had come when it would be hers; it was part of her; she would know it even with Gender Roles In The Glass Menagerie eyes closed, by touch alone, the soft, thick pelt Increase Border Security In The United States her Self Interest Vs. Compassion In Lois Lowrys Messenger, cleaving to her, until she could no longer tell skin from skin…. The music and the appealing beauty of the park fascinates her.


Brill a stupid old thing. In response, Miss Brill leaves and does not stop by the bakery to buy a slice of honey cake. As she arrives home, she doffs her fur coat and puts it back into the box. Miss Brill is an unmarried, aged and lonely woman. She has a routine of spending her Sundays at a park to overcome her loneliness. She has an urge to participate in the outer world for which she visits the park every Sunday. Although, she does not have any direct interaction or communication with the outer world.

Rather, she sits there quietly and discerns the activities of people. She listens to their conversations and arguments. In this way, she considers herself a part of the community. However, readers can see the attitude of the people around her. Her loneliness is evident from her fur coat. Sitting in the middle of people she only talks to her fur coat. No one seems to be talking to her.

A young couple approaches and mocks her presence and says that she is not wanted here. Nobody is expecting her to be here at all. This rebuke contradicts all her previous thoughts. She feels more vulnerable, lonely and dejected. While sitting in the park she admires the young people. She thinks that old people are those creatures that are marginalized and subjugated. This view is evident when she overhears the conversation of a young couple.

The story is an amalgamation of delusion and reality. Readers can find her being delusional in the text. Miss Brill talking to her fur coat is a delusional moment. She thinks that her coat is still new and good. Similarly, the way she thinks about her place in the community. Miss Brill is of the opinion that everyone in the park is like a performer on the stage. Hence, everyone is connected to one another in some ways. In the same way, she considers herself a part of that performance. Whereas, Miss Brill seems to come out of that delusion by the rapprochement of the young couple. They talk about her unwanted presence and shabby fur coat. They dismiss her views about being connected with others. However, in the end she also realizes that her fur coat is old and shabby.

Miss Brill is the protagonist of the story. She is an unmarried, aged and lonely woman, living in the town of France. She makes her living from tutoring children and reading newspapers for an old man. She is the kind of woman who is deprived of social connections. There is a void created in her life. In the story, she is portrayed as self-deluded about her importance as a member of society. Throughout the story, readers can see the fur coat as her most beloved possession.

This fur coat represents her alienation and marginalization. At the end of the story, one can see how her self-delusion is broken by the harsh reality when a young couple insults her. They say that she is not wanted here. They are the well-dressed old couple who sits next to Miss Brill in the park. They seem uninteresting to Miss Brill as they do not communicate. Though, she observes their dressing. Miss Brill sees a girl wearing an ermine toque.

This girl approaches a gentleman who looks wealthy by appearance. Both of them get engaged in small talk for a while. At that time, she felt pitiful for that girl. They are the two adults. They appear at the end of the story. Miss Brill is criticized by these young adults. It revolves around an unmarried aged and lonely woman living near Jardin Publiques in French town.. Miss Brill is a spinster and makes her living by tutoring children and reading newspapers to an old man. She has a routine of spending her Sundays at the Jardin Publiques to fill a void created in her life. Mansfield has set the time setting in the s. Katherine, through the character of Miss Brill, exposes the harsh reality of society.

Brill put up her hand and touched her fur. Dear little thing! Whereas, in the end, it is again put into that box. Through this, she depicts the attitude of society towards Miss Brill. She would come back tomorrow, as early as possible, in her lunch break, or during the morning; yes, she would find a pretext to slip out during the morning. That night she slept little and awoke feeling troubled and slightly feverish. She counted the minutes until the shop would open; her eyes wandered from the clock on the wall to her wristwatch and back, while she dealt with various customers.

As soon as she could, she found an excuse to pop out and run to the shop, trembling to think that the coat might have been sold. It had not, she learned, been sold; she felt her breath return, her heartbeat ease, felt the blood drain from her face and resume its measured flow. She recoiled, stunned, when she heard the reply. It cost far more than she had thought, five times more than she could possibly afford. She could always sacrifice her holidays, the bank clerk thought.

Or divert some of the money intended for a car loan. She could use less heating, eat smaller meals. It would do her good, really, because she was beginning to put on a bit of weight. She started visiting the shop at night, when it was closed and no one would see her, in order to gaze at the coat through the window, and each time it brought her more joy, each time it was brighter, more fiery, like red flames that did not burn, but were soft on her body, like a thick, ample, enfolding skin that moved when she moved…. It would be admired, as would she, people would turn to stare after her, but it was not this that provoked a secret smile; rather, she realised, it was an inner satisfaction, an obscure certainty, a sense of being in harmony with herself, that spilled over in all kinds of small ways.

It was as if the rhythm of her breathing had changed, had grown calmer and deeper. She realised too, perhaps because she no longer felt tired, that she moved more quickly, that she could walk effortlessly now, at twice her usual speed. Her legs were agile, her feet nimble. Everything about her was lighter, quicker; her back, shoulders, and limbs all moved more easily. For a few months now she had been spending two hours a week running at the track. But what she liked most was to go running in the forest, on the outskirts of the city, feeling the sand crunch beneath her feet, learning to place her feet on the ground in a different way — in direct, perfect, intimate contact with the earth.

She was intensely aware of her body; she was more alive now, more alert.