Pulp Fiction Analysis

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The Nul wear no clothes, but their equivalent of hands and arms are wide membranes which are normally held in a fixed position before the body, not moving even when the "fingers" are manipulating a tool. Only in a sexual context are the hands moved aside, to reveal the genital organs behind — the equivalent of humans undressing. In one scene, the human protagonist is able to tune to an erotic or pornographic Nul sensory device, made for internal Nul consumption and not intended for humans, which replicates the wild ecstasy felt by Nuls when daring to move aside their membrane hands and reveal their bodies to each other — similar in some ways to human sexual arousal but also very different.

Heinlein 's Stranger in a Strange Land and The Moon Is a Harsh Mistress both depict heterosexual group marriages and public nudity as desirable social norms, while in Heinlein's Time Enough for Love , the main character argues strongly for the future liberty of homosexual sex. Samuel R. Delany 's Nebula Award -winning short story " Aye, and Gomorrah " posits the development of neutered human astronauts, and then depicts the people who become sexually oriented toward them. By imagining a new gender and resultant sexual orientation , the story allows readers to reflect on the real world while maintaining an estranging distance.

In his science fiction novel entitled Dhalgren , Delany colors his large canvas with characters of a wide variety of sexualities. Delany depicts, mostly with affection, characters with a wide variety of motivations and behaviours, with the effect of revealing to the reader the fact that these kinds of people exist in the real world. In later works, Delany blurs the line between science fiction and gay pornography. Delany faced resistance from book distribution companies for his treatment of these topics. In , Anne McCaffrey's Dragonflight launched the Dragonriders of Pern series, depicting the lives of humans living in close partnership with dragons.

In a key scene the young golden Dragon Queen takes off on her mating flight, pursued by the male dragons — until finally one of them catches up with her and they engage in passionate mating high up in the air, their necks and wings curled around each other. On the ground the woman and man who are these dragons' riders share their passion telepathically — and inevitably wildly embrace and kiss, embarking in parallel human mating. Ursula K. Le Guin explores radically alternative forms of sexuality in The Left Hand of Darkness and again in " Coming of Age in Karhide " , which imagine the sexuality of an alien "human" species in which individuals are neither "male" nor "female," but undergo a monthly sexual cycle in which they randomly experience the activation of either male or female sexual organs and reproductive abilities; this makes them in a sense bisexual , and in other senses androgynous or hermaphroditic.

It is common for an individual of that species to undergo at some moment of life pregnancy and birth-giving, while at another time having the male role and impregnating somebody else. Le Guin has written considerations of her own work in two essays, "Is Gender Necessary? Redux" , which respond to feminist and other criticism of The Left Hand of Darkness.

In these essays, she makes it clear that the novel's assumption that Gethenians would automatically find a mate of the gender opposite to the gender they were becoming produced an unintended heteronormativity. Le Guin has subsequently written many stories that examine the possibilities science fiction allows for non-traditional sexuality, such as the sexual bonding between clones in " Nine Lives " [13] and the four-way marriages in " Mountain Ways " In his novel The Gods Themselves , Isaac Asimov describes an alien race with three sexes, all of them necessary for sexual reproduction.

One sex produces a form of sperm, another sex provides the energy needed for reproduction, and members of the third sex bear and raise the offspring. All three genders are included in sexual and social norms of expected and acceptable behavior. In this same novel, the hazards and problems of sex in microgravity are described, and while people born on the Moon are proficient at it, people from Earth are not. Similarly, Poul Anderson 's Three Worlds to Conquer depicts centaur-like beings living on Jupiter who have three genders: female, male and "demi-male".

In order to conceive, a female must have sex with both a male and a demi-male within a short time of each other. In the society of the protagonist, there are stable, harmonious three-way families, in effect a formalized Menage a Trois , with the three partners on equal terms with each other. An individual in that society feels a strong attachment to all three parents — mother, father and demi-father — who all take part in bringing up the young. Conversely, among the harsh invaders who threaten to destroy the protagonist's homeland and culture, males are totally dominant over both females and demi-males; the latter are either killed at birth or preserved in subjugation for reproduction — which the protagonist regards as a barbaric aberration.

In Anderson's satirical story A Feast for the Gods , the Greek god Hermes visits modern America and has casual sex with an American woman, who tells him that she is "on the pill" and does not take seriously Hermes telling her that "The Embrace of a God is always fertile". She ends up pregnant and destined to give birth to a modern demi god. Feminist science fiction authors imagined cultures in which homo- and bisexuality and a variety of gender models are the norm. The Girl Who Was Plugged In is an early precursor of cyberpunk that depicts a relationship via a cybernetically controlled body.

The society lacks stereotypically "male" problems such as war , but is stagnant. The women reproduce via cloning, and consider men to be comical. In Robert Silverberg 's novelette The Way to Spook City the protagonist meets and has an affair with a woman named Jill, who seems completely human — and convincingly, passionately female human. Increasingly in love with her, he still has a nagging suspicion that she is in fact a disguised member of the mysterious extraterrestrial species known as "Spooks", who had invaded and taken over a large part of the United States.

Until the end, he repeatedly grapples with two questions: Is she human or a Spook? And if she is a Spook, could the two of them nevertheless build a life together? In the centuries-long, futile space war described in Joe Haldeman 's The Forever War , the protagonist's increasing feeling of alienation is manifested, among other things, when he is appointed as the commanding officer of a "strike force" whose soldiers are exclusively homosexual, and who resent being commanded by a heterosexual.

Later in the book, he finds that while he was fighting in space, humanity has begun to clone itself, resulting in a new, collective species calling itself simply Man. Luckily for the protagonist, Man has established several colonies of old-style, heterosexual humans, just in case the evolutionary change proves to be a mistake. In one of these colonies, the protagonist is happily reunited with his long-lost beloved and they embark upon monogamous marriage and on having children through sexual reproduction and female pregnancy — an incredibly archaic and old-fashioned way of life for most of that time's humanity.

Elizabeth A. Lynn also wrote novels depicting sadomasochism. John Varley , who also came to prominence in the s, is another writer who examined sexual themes in his work. Homophobia is shown as initially inhibiting the uptake of this technology, as it engenders drastic changes in relationships, with bisexuality becoming the default mode for society. Sexual themes are central to the story "Options": a married woman, Cleo, living in King City, undergoes a change to male despite her husband's objections. As "Leo" she finds out what it means to be a man in her society and even becomes her husband's best friend.

She also learns that people are adopting new names that are historically neither male nor female. She eventually returns to female as "Nile". Varley's Gaea trilogy features lesbian protagonists. Female characters in science fiction films , such as Barbarella , continued to be often portrayed as simple sex kittens. After the pushing back of boundaries in the s and 70s, sex in genre science fiction gained wider acceptance, and was often incorporated into otherwise conventional science fiction stories with little comment.

In Jack Vance introduced the Planet of Adventure , inhabited by four different alien races, each with its own distinct society and culture. One of these — the predatory, part feline, part bird-like Dirdir — are described as having a very complex sexuality, with many different genders that leads to many different combinations of gender-compatibility when it comes to sex and breeding, though each breeding still seems to involve only two individuals.

Jack L. Chalker 's Well World series , launched in , depicts a world — designed by the super science of a vanished extraterrestrial race, the Markovians — which is divided into numerous "hexes", each inhabited by different sentient race. Anyone entering one of these hexes is transformed into a member of the local race. This plot device gives a wide scope for exploring the divergent biology and cultures of the various species — including their sex life. For example, a human entering a hex inhabited by an insectoid intelligent race is transformed into a female of that species, feels sexual desire for a male and mates with him. Too late does she discover that in this species, pregnancy is fatal — the mother being devoured from the inside by her larvae.

In a later part, a very macho villain gains control of a supercomputer whose power includes the ability to "redesign" people's bodies to almost any specification. He uses the computer to give himself a "super-virile" body, capable of a virtually unlimited number of erections and ejaculations — and then proceeds to transform his male enemies into beautiful women and induce in them a strong sexual desire towards himself. However, a computer breakdown restores to these captives their normal minds.

Though they are still in women's bodies, these bodies were designed with great strength and stamina, so as to enable them to undergo repeated sexual encounters. Thus, they are well-equipped to chase, catch and suitably punish their abuser. In Frederik Pohl 's Jem , humans exploring the eponymous planet Jem discover by experience that local beings emit a milt which has a strong aphrodisiac effect on humans. Characters who were hitherto not at all drawn to each other find themselves suddenly involved in wild, uncontrollable sex.

At the ironic ending, their descendants who colonize the planet and build up a distinctive society and culture develop the custom of celebrating Christmas by deliberately stimulating the local beings into emitting the milt, and then taking off their clothes and engaging in a wild indiscriminate orgy — their copulations accompanied by a chorus of the planet's enslaved indigenous beings who were taught to sing " Good King Wenceslas ", with the song's Christian significance long forgotten.

Also set on an alien planet, Octavia E. Butler 's acclaimed short story " Bloodchild " depicts the complex relationship between human refugees and the insect-like aliens who keep them in a preserve to protect them, but also to use them as hosts for breeding their young. In Robert Silverberg 's novella Homefaring , the protagonist enters the mind of an intelligent lobster of the very far future and experiences all aspects of lobster life, including sex: "He approached a female, knowing precisely which one was the appropriate one, and sang to her, and she acknowledged his song with a song of her own, and raised her third pair of legs for him, and let him plant his gametes beside her oviducts.

There was no apparent pleasure in it, as he remembered pleasure from his time as a human. Yet it brought him a subtle but unmistakable sense of fulfillment, of the completion of biological destiny, that had a kind of orgasmic finality about it, and left him calm and anchored at the absolute dead center of his soul". When finally returning to his human body and his human lover, he keeps longing for the lobster life, to "his mate and her millions of larvae ".

Quentin and Alice, the extremely shy and insecure protagonists of Lev Grossman 's fantasy novel The Magicians , spend years as fellow students at a School of Magic without admitting to being deeply in love with each other. Only the experience of being magically turned into foxes enables them at last to break through their reserve: "Increasingly, Quentin noticed one scent more than the others. It was a sharp, acrid, skunky musk that probably would have smelled like cat piss to a human being, but to a fox it was like a drug. He tackled the source of the smell, buried his snuffling muzzle in her fur, because he had known all along, with what was left of his consciousness, that what he was smelling was Alice.

Vulpine hormones and instincts were powering up, taking over, manhandling what was left of his rational human mind. The next sequence depicts animal sex: "He locked his teeth in the thick fur of her neck. It didn't seem to hurt her any, or at least not in a way that was easily distinguishable from pleasure. He caught a glimpse of Alice's wild, dark fox eyes rolling with terror and then half shutting with pleasure. Their tiny quick breathes puffed white in the air and mingled and disappeared. Her white fox fur was coarse and smooth at the same time, and she made little yipping sounds every time he pushed himself deeper inside her. He never wanted to stop".

Lois McMaster Bujold explores many areas of sexuality in the multiple award-winning novels and stories of her Vorkosigan Saga ongoing , which are set in a fictional universe influenced by the availability of uterine replicators and significant genetic engineering. These areas include an all-male society, promiscuity , monastic celibacy , hermaphroditism, and bisexuality. In the Mythopoeic Award -winning novel Unicorn Mountain , Michael Bishop includes a gay male AIDS patient among the carefully drawn central characters who must respond to an irruption of dying unicorns at their Colorado ranch.

The death of the hedonistic gay culture , and the safe sex campaign resulting from the AIDS epidemic, are explored, both literally and metaphorically. Sex has a major role in Harry Turtledove 's novel A World of Difference , taking place on the planet Minerva a more habitable analogue of Mars. Minervan animals including the sentient Minervans are hexameristically radially symmetrical. This means that they have six eyes spaced equally all around, see in all directions and have no "back" where somebody could sneak on them unnoticed. Females referred to as "mates" by the Minervans give birth to litters that consist of one male and five females, and the "mates" always die after reproducing because of torrential bleeding from the places where the six fetuses were attached; this gives a population multiplication of 5 per generation if all females live to adolescence and reproduce.

Females reach puberty while still hardly out of childhood, and typically experience sex only once in the lifetime — leading to pregnancy and death at birth-giving. Thus, in Minervan society male dominance seems truly determined by a biological imperative — though it takes different forms in various Minervan societies: in some females are considered expendable and traded as property, in other they are cherished and their tragic fate mourned — but still their dependent status is taken for granted.

The American women arriving on Minerva and discovering this situation consider it intolerable; a major plot element is their efforts, using the resources of Earth medical science, to find a way of saving the Minervan females and let them survive birth-giving. At the end, they do manage to save a particularly sympathetic Minervan female — potentially opening the way for a complete upheaval in Minervan society. Sex is also an important ingredient in another of Harry Turtledove 's works, the Worldwar Series of Alternative History , based on the premise of reptile extraterrestrials, nicknamed "The Lizards", invading Earth in , forcing humans to terminate the Second World War and unite against this common enemy. As depicted by Turtledove, the "Lizards" have no concept whatever that sex ought to be private, and they engage in it in public as in any other activity.

This leads to human beings in areas occupied by them feeling shocked and outraged by the "immorality" of their new masters - especially that the invaders, preferring hot climates, prioritize conquest of the Arab and Islamic countries. For their part, the invaders are genuinely puzzled by the Humans' insistence oh having privacy for sex and their outrage when reptile warriors walk in on them when engaged in it.

As gradually becomes clear, on their home planet, the "Lizards" have a clearly defined mating season , when normal activity ceases and they engage in a days-long, indiscriminate orgy ; as their young can fend for themselves from the moment of hatching from the egg, there is no of parental care and they have no marriages or families, and thus there is no reason to establish paternity. Outside the mating season, sex does not occur among them and does not concern them. However, when arriving on Earth they soon discover that ginger , an innocuous spice to humans, acts as a powerful narcotic on the invaders' physiology - and that it causes their females to become sexually active and emit pheremones, out of the normal season.

This causes an unaccustomed disruption of their daily activity, with females who had taken ginger suddenly becoming sexual, males and females then feeling compelled to immediately engage in mating before they could resume their daily work. These also arises the phenomenon of females deliberately taking ginger in return for payment - prostitution having been completely unknown in their society before their arrival on Earth. In the far future human colony of Frederik Pohl 's The World at the End of Time , the common way to produce new humans is for a geneticist to take DNA samples from two or more "parents" — regardless of their being male or female. The DNA is then combined in a laboratory, and the parents arrive to pick up the baby nine months later.

The few couples who prefer to do it in the old fashioned way, a man sexually impregnating a woman, are considered strange but harmless eccentrics. Glory Season by David Brin is set on the planet Stratos, inhabited by a strain of human beings designed to conceive clones in winter, and normal children in summer. All clones are female, because males cannot reproduce themselves individually. Further, males and females have opposed seasons of sexual receptivity; women are sexually receptive in winter, and men in summer.

This unusual heterogamous reproductive cycle is known to be evolutionarily advantageous for some species of aphids. The novel treats themes of separatist feminism and biological determinism. Elizabeth Bear 's novel Carnival revisits the trope of the single-gender world , as a pair of gay male ambassador-spies attempt to infiltrate and subvert the predominately lesbian civilization of New Amazonia, whose matriarchal rulers have all but enslaved their men. The fantasy world of Scott Lynch 's Red Seas Under Red Skies offers a new variation on the long-established genre of pirate literature — depicting a pirate ship which is run on the basis of complete gender equality.

The pirate crew is composed of a roughly equal number of men and women, and crew members may freely engage in sex — homosexual or heterosexual, as they choose — when off duty. Since shipboard life offers little chance of privacy, the sound of people having a noisy orgasm is a normal part of night time routine on board the Poison Orchid. However, any attempt at a sexual act without the other person's sexual consent is punished immediately and severely. The formidable Captain Zamira Drakasha is raising her two children aboard, and is well able to combine being a deadly fighter and strict disciplinarian with her role as a loving and doting mother — but having children aboard is a privilege reserved to the Captain alone; other female pirates who get pregnant must leave their children on shore.

To begin with the protagonist, Prince Tobin, is to all appearances a male — both in his own perception and in that of others. Boys who swim naked together with Tobin have no reason to doubt his male anatomy. Yet, due to the magical reasons which are an important part of the plot, in the underlying, essential identity Tobin had always been a disguised girl. In Lateral Magazine , The freedom of a genre: Sexuality in speculative fiction : 'In another twist of today's society, Nontraditional Love by Rafael Grugman puts together an upside-down society where heterosexuality is outlawed, and homosexuality is the norm. Alternatively, two mothers, one of whom bares a child. In a nod to the always-progressive Netherlands, this country is the only country progressive enough to allow opposite sex marriage.

This is perhaps the most obvious example of cognitive estrangement. A heterosexual reader would not only be able to identify with the main character, but be immersed in a world as oppressive and bigoted as the real world has been for homosexuals and the queer community throughout history. The Fantasy novel Stone Unturned , set in Lawrence Watt-Evans ' magical world of Ethshar , begins with the young wizard Morvash of the Shadows discovering that some of the statues in his uncle's house were real people turned to stone, and sets out to do the right thing.

What Morvash considered the most disturbing of these statues "was hidden away in a sort of marble grotto in the garden behind the house, and depicted a young man and a young woman in what might politely be called an intimate embrace, or a compromising position. They were not in the sort of elegant pose that artists use for erotica, with graceful lines displaying the female's curves and the male's muscles. They were in an earthier position. The woman — a girl, really — was on her back, with her knees drawn up to her chest and her head raised as her blank stone eyes stared perpetually at the man's belly.

Her mouth was open as if panting. Her partner was kneeling between her legs, leaning forward over her, one hand grabbing her shoulder, the other occupied elsewhere. His eyes were closed, but his mouth was also open; Morvash thought it was more of a moan than a pant. He could almost smell the sweat. Neither wore any clothing whatsoever, nor were there any artfully-placed draperies or fig leaves to obscure the details.

The next morning, Butch heads to his apartment to fetch a watch; while there, he kills Vincent John Travolta and hits Marsellus with the car. A limping chase on foot leads them both into a pawnshop, where Butch punches out Marsellus and the proprietor, Maynard, concusses Butch. Maynard is joined by his cousin, Zed, and their leather-clad servant, the Gimp; Zed decides that they will rape Marsellus first. Once they take Marsellus into the adjoining room, Butch knocks out the Gimp with a single punch, and heads upstairs to freedom.

How did I get into Deliverance? He turns back to help Marsellus, the man who just tried to kill him, but first he needs to find a weapon. He wordlessly grabs a claw hammer, then upgrades to a baseball bat, followed by a chainsaw. Check it out here , starting around Then Butch spots the appropriate weapon of honor and vengeance: a samurai sword. The track he actually planned to use? I thought, oh, God, this is just too funny not to use. Butch then faces down Zed who, in his security guard uniform, is the closest thing we see to law enforcement in all of Pulp Fiction , daring him to reach for his gun.

We see a figure standing behind Butch and hear a shotgun being cocked. Butch does, and Marsellus then blasts his rapist in the groin. Let me tell you what now. Then he makes a bond with this other character and they become a team.