The Theme Of Hopelessness In Turtles Can Fly

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TURTLES CAN FLY - Kisah Pi_lu Gadis 11 Tahun

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This is used to bring out the sense of hope that the other children in the orphanage have in him. He is the only person guiding the children, and keeping them alive. When we first meet Satellite at around 3 minutes and thirty seconds he is at the top of the hill, up on a pole fixing a receiver. Agrin, who is, otherwise, devoid of hope has to squint and shield her eyes from the sky in the direction of Sattelite.

At 28 minutes, Satellite is sitting on top of the nozzle of a tank as he tries to give orders to the rest of the community. After they receive news from Hengov, he is slowly and awkwardly lowered off camera. This is to demonstrate that his power has been taken over. From this point on, Sattelite is shot at the level of all the other children. He is no longer the hope of the children, until in the end, when his leg is destroyed by a land mine he is shot from above. He loses the energy from the situation, and becomes hopeless as he is. The movie ends with a scene where Satellites struggles with the Americans present, a day they looked forward to.

He is however left hopeless as the movie ends. Personally I thought this film was well done, it was rough, it went for the heart, and tackled some important issues. Some people have argued that the movie has unnecessary criticism for American occupation of Iraq. I however, do not feel that this is true since nothing much changes in the lives of the children in the end. It is true that the characters were looking forward to the Americans coming, but once they arrived, nothing much changed.

Need a custom Essay sample written from scratch by professional specifically for you? Turtles Can Fly Film Analysis. We use cookies to give you the best experience possible. If you continue, we will assume that you agree to our Cookies Policy. Table of Contents. Introduction Film setting and characters More information about the characters Analysis of use of cinematic elements Conclusion. Learn More. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly.

Removal Request. If you are the copyright owner of this paper and no longer wish to have your work published on IvyPanda. Cite This paper. Select a referencing style:. Copy to Clipboard Copied! Reference IvyPanda. Bibliography IvyPanda. References IvyPanda. More related papers. Much more colorful than Memento. Memento is a film directed by Christopher Nolan released in the year 20 The film follows a man with anterograde amnesia, or short term memory loss, as he attempts to find the man who killed and raped his wife.

He keeps a list of facts in order to make sure the man he is trying to get is actually the right man. The movie flows in reverse chronological order with scenes put in that run in chronological order. This has the effect of forcing the audience to make sure they remember what happened in the earlier scene. Murugadoss which was released in India. Ghajini is currently the highest grossing Hindi film in history. The movie also follows a patient, Sanjay Singhania, who suffers from anterograde amnesia much like the patient in Memento. Tattoos look very similar to those found in Memento. Memento is a very dark film that chronicles various violent acts such as rape and murder. The movie uses various techniques to keep the audience interested in the story.

Ghajini on the other hand takes cues from Memento but is very heavily influenced by Bollywood styles. Two people meet, fall in love, choose to get married but then cannot because, in this case, one of them dies. These romantically styled scenes are not seen in Memento and are what I find to be the stereotype in Bollywood cinema. Too violent Gupta. It almost seems as though rape is still an untouched topic when it comes to movies that are as popular in mainstream Indian culture such as this one.

On the other hand, Memento has some parts that are can be attributed to coming out of an American industry. There is a lot of blood, but unlike Ghajini the violence has not been stylized and is shown as it is. Additionally, the movie shows the basic greed that many Americans face. Many movies coming out of Bollywood can be seen as remakes of famous Hollywood movies, displaying the globalization of American film. The main way these two movies display the globalization in film is just how their main plot concept is the same thing.

Amir Khan stated that the director for Ghajini wrote the script for the movie after hearing about Memento but not watching it. This shows how one little idea has become a huge movie in one country, and the highest grossing movie in another. Although Memento and Ghajini take a similar plot, the styles are extremely different. Memento capitalizes on the American love for suspense and thrillers whereas Ghajini sticks to basic themes that have shown that they are what Indians love the most.

Memento has violence, but sparingly and it more or less sticks to assessing the psychological areas on the topic of short term memory loss. Even with these differences, the similarities can still be seen, and the effects of globalization can still be felt when watching the two movies one after the other. Chopra, A. Ebert, R. Retrieved from rogerebert. Gupta, S. Ghajini Movie Review. Whirled Cinema. In the world of music, television, news, and other popular media, there is perhaps no place more widely used to portray the many views and perspectives of the world than in the realm of cinematic entertainment. Across the globe, filmmakers have attempted to alter, celebrate, and recreate real life on the big screen. In an attempt to escape the endless cycle of ignorance and close-mindedness that plagues us, many have turned to the writings, beliefs, studies, and films of foreign countries, analyzing and comparing the similarities and differences among the various types in a search for greater truth.

I will discuss how the two films portray global warfare, and its affects on the nations it tears apart. I will also address the different views of world powers, such as the United States and the UN. The story begins with a relief squad that gets lost in a deep fog. When the sun rises, they are decimated by enemy guns, leaving only two survivors in a mine filled trench. When the enemy soldiers are sent to inspect the trench, a scuffle leaves two enemy soldiers in a face off, while one lays helpless, immobile on an active mine.

The events of the film expose the horrors of war, as well as the tragedy that ensues when neutral forces interfere. Turtles Can Fly , is an Iranian film that focuses on similar concepts of war. However, it is played out through the eyes and shattered lives of the forgotten Iranian children who find refuge in the hills of its borders, fighting desperately to survive the violent conflict that surrounds them. The main character is a thirteen year old boy named Satellite who leads the young orphans living near the Turkey-Iran border. They pick mines from the neighboring fields for payment, while Satellite installs satellites for the people who eagerly await the news and updates leading up to the fall of Saddam Hussein.

New York Times reviewer A. The harsh conditions that have mentally and physically damaged the young kids who continue to fight for survival are also the trials which serve to fortify the wills of those that overcome:. The hardships these children have faced are horrifying, and Mr. Ghobadi neither sweetens nor sensationalizes them, which makes "Turtles Can Fly" all the more painful to watch. It is a heartbreaking film, and cruelty sometimes seems to be not only its subject but its method. Like the child on a high cliff that is one of its recurring images, the film walks up to the edge of hopelessness and pauses there, waiting to see what happens next. NY Times. In this film, Ghobadi depicts the pain and suffering of children in order to show the everyday lives of people who are affected by war.

The loss of family, friends, and even limbs is brought to life on the big screen. This film festival hit opens the eyes of all its viewers to the harsh reality that those forgotten refugees and orphans are exposed to each day. Ghobadi also uses mise-en-scene on numerous occasions to emphasize certain themes. At the start of the movie, we see a young boy, Satellite, installing the all important dishes that connect the refugees to the outside world, giving them vital information about the progress of the war.

As the film progresses, one can see how the people watch and wait anxiously as the fall of Saddam looms on the horizon. Their hopes rest upon the shoulders of the U. However, at the end of the film, the viewer is left to watch as the soldiers come marching through the town with tanks and guns, and how Satellite, who was among the most supportive of their presence, turns away from them as rain falls with his face to the ground, seeming as if he has lost all hope and faith that their success will actually save the village. In this film, the viewer is also subject to the vision of pain and death caused by the ceaseless war in Bosnia.

Tanovic brings the scope of the violent war to a smaller scale, with one soldier representing each side.