Hamlet Act 3 Scene 3 Analysis
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Hamlet Act 3 Scene 3 Analysis
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And therefore must his choice be circumscribed Unto the voice and yielding of that body Whereof he is the head. Then if he says he loves you, It fits your wisdom so far to believe it As he in his particular act and place May give his saying deed, which is no further Than the main voice of Denmark goes withal. Then weigh what loss your honor may sustain If with too credent ear you list his songs, Or lose your heart, or your chaste treasure open To his unmastered importunity.
Fear it, Ophelia. Fear it, my dear sister, And keep you in the rear of your affection, Out of the shot and danger of desire. The chariest maid is prodigal enough If she unmask her beauty to the moon. The canker galls the infants of the spring Too oft before their buttons be disclosed. And in the morn and liquid dew of youth, Contagious blastments are most imminent. Be wary, then. Best safety lies in fear. Youth to itself rebels, though none else near. Think of it that way, at least. So do the responsibilities that weigh on his mind and soul. Perhaps he loves you now, and currently nothing stains the purity of that love. But you must take into account that he cannot make his own decisions. He must do what is right for the the country that he leads when he makes his choice.
Then think about how it would stain your reputation if you believe his words of love, or fall in love, or give up your virginity to him. Be careful, Ophelia. Be careful, my dear sister. Keep your feelings under control, and keep yourself free from the danger of his desire. Avoid exposing your beauty, even to the moon. Too often, worms or disease ruin flowers before they blossom—and young flowers are the most vulnerable. Be careful. You will be safest if you maintain a healthy fear. Young people can lose their self-control without any outside help.
I shall the effect of this good lesson keep As watchman to my heart. But, good my brother, Do not, as some ungracious pastors do, Show me the steep and thorny way to heaven Whiles, like a puffed and reckless libertine, Himself the primrose path of dalliance treads And recks not his own rede. O, fear me not. I stay too long. But here my father comes. A double blessing is a double grace. Occasion smiles upon a second leave. I should be on the ship by now. And here comes our father.
Having him bless my leaving a second time will give my journey double the luck. Yet here, Laertes? Aboard, aboard, for shame! The wind sits in the shoulder of your sail And you are stayed for. There, my blessing with thee. And these few precepts in thy memory Look thou character. Give thy thoughts no tongue, Nor any unproportioned thought his act.
Be thou familiar but by no means vulgar. Those friends thou hast, and their adoption tried, Grapple them unto thy soul with hoops of steel, But do not dull thy palm with entertainment Of each new-hatched, unfledged comrade. Give every man thy ear but few thy voice. Costly thy habit as thy purse can buy, But not expressed in fancy—rich, not gaudy, For the apparel oft proclaims the man, And they in France of the best rank and station Are of a most select and generous chief in that. Neither a borrower nor a lender be, For loan oft loses both itself and friend, And borrowing dulls the edge of husbandry.
This above all: to thine own self be true, And it must follow, as the night the day, Thou canst not then be false to any man. My blessing season this in thee. Still here, Laertes? Get going, get going—shame on you! The wind gusts in the sails of your ship, and yet it is forced to wait for you. Here, I give you my blessing. Be friendly but not too friendly. Hold onto those friends you have that you know are trustworthy, with all your heart. Try not to get caught up in any fights or arguments. Listen to everyone, but give advice to few. Buy the most expensive clothes you can afford—but buy clothes that are high-end, not gaudy, because clothes make the man.
And that is especially true in France. Neither borrow money nor lend it—because lending money to a friend usually results in the loss of the money and the friend, while borrowing makes people reckless with money. May my blessing help you remember my advice. Most humbly do I take my leave, my lord. The time invites you. Your servants tend. Farewell, Ophelia, and remember well What I have said to you. So please you, something touching the Lord Hamlet. Marry, well bethought. What is between you? Give me up the truth. He did? You endanger your honor. Tell me the truth. He hath, my lord, of late made many tenders Of his affection to me. Pooh, you speak like a green girl, Unsifted in such perilous circumstance.
I do not know, my lord, what I should think. My lord, he hath importuned me with love In honorable fashion. Go to, go to. And hath given countenance to his speech, my lord, With almost all the holy vows of heaven. Ay, springes to catch woodcocks. Now might I do it pat, now he is praying;. Thoughts on Claudius "When he is praying for pardon, he is all the while perfectly determined to keep his crown; and he knows it. More -- it is one of the grimmest things in Shakespeare, but he puts such things so quietly that we are apt to miss them -- when the King is praying for pardon for his first murder he has just made his final arrangements for a second, the murder of Hamlet.
But he does not allude to that fact in his prayer. If Hamlet had really wished to kill him at a moment that had no relish of salvation in it, he had no need to wait. So we are inclined to say; and yet it was not so. For this was the crisis for Claudius as well as Hamlet. He had better have died at once, before he had added to his guilt a share in the responsibility for all the woe and death that followed. And so, we may allow ourselves to say, here also Hamlet's indiscretion served him well.
The power that shaped his end shaped the King's no less. Read on Scene Questions for Review 1. Why does Claudius plan to send Hamlet to England? Do you think Rosencrantz and Guildenstern are aware of Claudius' intentions? An examination of Shakespeare's dramas reveals a recurrent and deliberate political philosophy on the nature of kingship. How does the speech given by Rosencrantz lines contribute to an understanding of Shakespeare's philosophy? Why do you think Shakespeare gives this striking speech -- worthy of Hamlet himself -- to Rosencrantz? Is it tragic irony? If so, what makes is ironic?
