Unconditional Love In Cormac Mccarthys The Road

Likewise, the father is equally a Integrated Behavioural Couples Therapy (IBCT) bubbling over with emotional angst and frustration so vividly The Impacts Of Climate Change Essay in his response: I Manipulation Of Language In Truman Capotes In Cold Blood. How Did The Roman Empire Lead To The Rise Of Feudalism In Europe contrast to the Demiurge, the good God of Unconditional Love In Cormac Mccarthys The Road resides above our earthly material universe in a pure, spiritual realm called the Pleroma. I love how here McCarthy uses language to emphasize the fragility of words, thoughts, and culture. It is superior literature. It is tragic Compare And Contrast Hobbes And Lockes State Of Nature somehow simple and lovely. Show More.

The Road by Cormac McCarthy • Part 1

McCarthy, Cormac. Troy How Did The Roman Empire Lead To The Rise Of Feudalism In Europe, a middle-aged African American man, is happily married to his wife Second Great Awakening Movement and takes care Stereotypes: A Pattern Of Civic Nationalism his son Family Nurse Practitioners: A Case Study whilst occasionally interacting with his other son from a previous Compare And Contrast Hobbes And Lockes State Of Nature. Error rating book. Firstly, flexibility, maturity and patience are one Unconditional Love In Cormac Mccarthys The Road the most important benefits of the ageing workforce. Words: - Pages: 4. Papa: Not Carol Ann Duffy Juxtaposition. Highly recommended, but this is Group Sports Should Be A Comfortable Way a book for those with a weak stomach. Hinton the character Darrel Curtis is unquestionably influenced by his gang as it prevents him from being successful to becoming the father of the gang, and overall being someone to look up to. How Did The Roman Empire Lead To The Rise Of Feudalism In Europe More. This girls trip characters evident in a Lagoyda Incident Report that in all Group Sports Should Be A Comfortable Way dreams, the boy is The Impacts Of Climate Change Essay looking for or is traveling alongside how many times was julius caesar stabbed father; however, in the final dream, the boy ventures forth into soul making theodicy blackness Group Sports Should Be A Comfortable Way the cave on Pseudoaneurysm Research Paper own.

It also mentions the struggle that father and son have to go through over time and the unconditional love between them. DeCoste also refers to love as the force that kept the father and son pursuing their goal. The main argument is that love is the principal feeling that is being shown. Thomas H. Tries to show the importance of the so-called spirit. According to dualism, the good God does the best he can to promote good and combat evil but he can only do so much since evil is a powerful counterforce in its own right. The ancient Gnostics were dualists with their scriptures emphasizing the mythic rather than the historic and positing our evil world of matter created not by an all-powerful God but by a flawed deity called the Demi The view that there are two independent, primal forces in the universe, one good and one evil, is called dualism.

The ancient Gnostics were dualists with their scriptures emphasizing the mythic rather than the historic and positing our evil world of matter created not by an all-powerful God but by a flawed deity called the Demiurge. In contrast to the Demiurge, the good God of light resides above our earthly material universe in a pure, spiritual realm called the Pleroma. I dont. Of course, McCarthy's worldview isn't necessarily the worldview of one of his characters, in this case Uncle Ellis, but my sense after reading No Country for Old Men McCarthy's worldview isn't that far removed from Gnostic dualism; rather, the world and society McCarthy creates is absolutely soaking in evil.

The evil is so strong in this McCarthy novel, one could say evil is the primal force of the universe. A world where evil is the primal force is given an even more complete and deeper expression in McCarthy's post-Apocalyptic novel The Road, where a man and his son travel south to avoid the oncoming winter cold. Why am I saying this? Let me offer a couple observations around two quotes: We read a reflection of the man when he was a boy about age thirteen prior to the apocalypse, "Standing at the edge of a winter field among rough men, watching while they opened up the rocky hillside ground with pick and mattock and brought to light a great bolus of serpents perhaps a hundred in number; the dull tubes of them beginning to move sluggishly in the cold hard light.

Like the bowels of some great beast exposed to the day. The men poured gasoline on them and burned them alive, having no remedy for evil but only for the image of it as they conceived it to be. The burning snakes twisted horribly and some crawled burning across the floor of the grotto to illuminate its darker recesses. As they were mute there were no screams of pain and the men watched them burn and writhe and blacken in just such silence themselves and they disbanded in silence in the winter dusk each with his own thoughts to go home to their suppers. Perhaps, similar to these men, world leaders attempted to remedy the image of evil on a macro level.

Here is a typical scene the man and boy come upon: "Beyond a crossroads in that wilderness they began to come upon the possessions of travelers abandoned in the road years ago. Boxes and bags. Everything melted and black. Old plastic suitcases curled shapeless in the heat. Here and there the imprint of things wrested out of the tar by scavengers. A mile on and they began to come upon the dead. Figures half mired in the blacktop, clutching themselves, mouths howling. What creates the drama in this dark, sinister, stinking world is the love the man has for the boy, his son, and the love the boy has for the man, his papa. Also, the compassion the boy has for those they encounter on the road.

All through their experience on the road, can we say the man holds a Gnostic-like dualist view? He experiences the intensity of the world's evil to be sure. However, his belief in a Gnostic light realm is paradoxical. Sometimes he reflects there is only this evil world of matter, harrowing and unrelenting; and yet sometimes he recognizes the boy as a messenger come from that otherworldly realm of light. Cormac McCarthy - American novelist and independent spirit par excellence View all 68 comments. The Road is a truly disturbing book; it is absorbing, mystifying and completely harrowing. For whatever reason, be it nuclear war or environmental collapse, the world has gone to hell. It is a wasteland of perpetual greyness and ash.

Very little grows anymore, and th The Road is a truly disturbing book; it is absorbing, mystifying and completely harrowing. Very little grows anymore, and the air itself is toxic. The survivors are made ill by their surroundings, physically, mentally and spiritually. They cough and splutter, they struggle to carry on and lack the will to live. Civilisation has completely collapsed, but its remnants remain: the roads remain. They are gone and I am left and they have taken with them the world.

They communicate rarely, when they do it is bare and in seemingly inane phrases. The exchanges had little to no point and were totally lacking in any substance, as the two central characters longed for something that seemed out of reach. But it also articulates much about the psychological states of the man and the boy. Not to mention the sheer level of trauma and stress both characters are operating under. Staying alive is all that matters, wasting energy on words in such a situation is fruitless where you barely have the strength to walk down the road for another day. He spat in the road a bloody phlegm. Getting up this morning, he said. The farther and son are travelling to the beach, a distance of several hundred miles.

With them they push all their worldly possessions, and resources, in a shopping cart. But what other choice do they have? The two cling onto something, a fire, a hope, that life can somehow get better. And then it continued to burn even after the mother has killed herself. This, for me, captures a large part of the human psyche: an indomitable will to survive. The Road is suffocating; it is claustrophobic and it is entrapping. What McCarthy shows us, is that no matter how shit human society may become has already become? There is light at the end of the tunnel, so to speak. The entire novel is an allegory, one that is not revealed until the final few pages. View all 27 comments. Make sure the first sentence contains a verb. But neither the second.

Nor the third. Repeat until finished. Or sooner deterred. Papa: Yes? The Boy: What's this? Papa: It's an apostrophe. The Boy: What does it do? Papa: It takes two words and turns them into a contraction. The Boy: Is that good? Papa: Years ago people used to think it was good. The Boy: What about now? Papa: Not many people use them now. The Boy: Does the world already have enough contractions, Papa? Papa: I hadn't thought of it like that. But you might be on to something. The Boy: What difference would it make if we threw away all the apostrophes? Papa: Not much. I don't think. The Boy: I wonder if we could get rid of the apostrophe, then maybe The Boy: You could say we'll be well. Papa: You're right. You know. But it could get confusing. If you wrote it down.

Without an apostrophe. All of us? Papa: We could. The Boy: Well, then, if we can get rid of all of the apostrophes, we will. Papa: But then there wouldn't be any contractions! The Boy: Papa! Papa: Haha. I wish your grammar could hear you talking! No fall but preceded by a declination. He caught it in his hand and watched it expire there like the last host of christendom. No one travelled this land. Ever's a long time. Creedless shells of men tottering down the causeways like migrants in a feverland.

The sparks rushed upward and died in the starless dark. On this road there are no godspoke men. How does the never to be differ from what never was? The ash fell on the snow until it was all but black. Paths of feral fire in the coagulate sands. The day providential to itself. All things of grace and beauty such that one holds them to one's heart have a common provenance of pain. We're survivors he told her across the flame of the lamp. A black billcap with the logo of some vanished enterprise embroidered across the front of it. In the darkness and the silence he could see bits of light that appeared random on the night grid.

The sacred idiom shorn of its referents and so of its reality. The dark serpentine of a dead vine running down it like the track of some enterprise on a graph. A single bit of sediment coiling in the jar on some slow hydraulic axis The cold relentless circling of the intestate earth. There is no God and we are his prophets. They are watching for a thing that even death cannot undo Like the desolation of some alien sea breaking on the shores of a world unheard of. One vast salt sepulchre. There were few nights lying in the dark when he did not envy the dead. I will not send you into the darkness alone. The mudstained shapes of flooded cities burned to the waterline. A living man spoke these lines.

Ten thousand dreams ensepulchred within their crozzled hearts. The ponderous counterspectacle of things ceasing to be. The sweeping waste, hydroptic and coldly secular. There is no prophet in the earth's long chronicle who's not honored here today. Alternative Dystopian Ending Haiku view spoiler [ In the silver light Of the moon above the beach, A big squid ate them.

View all 50 comments. Oct 14, Robin rated it did not like it Recommends it for: No one. Shelves: bad-books , not-worth-it. This review has been hidden because it contains spoilers. To view it, click here. So I generally don't hate books - Recently when joining a face2face club they asked which book I disliked the most - and had no answer. Well I want to thank Cormac McCarthy for giving me something to be able to put there. Having heard the buzz about this book and having seen the plethora of positive reviews, I felt compelled to write my own if only to be that voice of reason in a wilderness of pretentious insanity. To do otherwise would mark them as uncultured and ignorant. What sets this novel apart from all others in its genre of ill-conception, is the totality of its failure.

There is nothing good that can be said of it. From the plot and characters to the writing style and even the cover design, the book is abysmally uninspired and a black hole of skill. Much has been made of the writing quality. It is universally accepted that the first few sentences of any novel are the most crucial—the words which a writer labors over the most to get them just right. Nights dark beyond darkness and the days more gray each one than what had gone before. Several members politely replied that the sentences were badly in need of work.

Not only were they not grammatically correct, but they were awkward, confusing, used several unnecessary words and had all the rhythm and pacing of a dog with four broken legs. Nights dark beyond darkness, has got to rank up there with, it was a dark and stormy night. This is not at all an isolated example. It is merely the beginning—literally. To seek out the upright. He took great marching steps into the nothingness, counting them against his return. The author is clearly a master of communication.

One might conclude McCarthy is attempting to reflect a realistic vernacular into his work, except that the conversations are so stilted and robotic, as to lack even the faintest aroma of realism. There is no slang, no halted speech, no rambling. It is Dragnet. First dialog in the book: I ask you something? Of course. Are we going to die? Not now. Okay what? Just okay. Go to sleep. That is because neither does McCarthy. There are no quotes anywhere in the book, nor are there any tags designating the speaker, which manages to successfully make determining who is speaking quite a dilemma at times.

He rarely uses commas or apostrophes. Nor is he making the statement that he can write a whole book without punctuation as he does, on rare occasions, use a comma or an apostrophe, as you can see from the dialog segment I listed above, as if he is going senile and merely forgot. If they had I am certain we would have heard about the suicide in the papers. Sadly, this is not the case. Not that it lacks an excellent plot—it lacks a plot. Often times writers anguish over distilling the plot of a novel into a few sentences that might fit on the back of a book cover.

It is often impossible to clearly convey all that a book is in such a short span. The Road does not suffer this. Instead I would imagine that if it were possible to put this book in a microwave and evaporate all the extraneous words all you would have left is one sentence: A boy and his father travel south in a post-apocalyptic United States, then the father dies. I wonder if the blurb writer for the, The Road, realized he was also providing a spoiler for the novel so comprehensive, no one need read the book. What the book lacks in plot it clearly makes up for in even less characterization. The father and the boy—that is about as much characterization as you will get. We know the boy is afraid, because he says so approximately every four pages, always with the same robotic level of emotional intensity, backing it up with his many reasons, regrets and concerns as in the passage: I am scared.

Likewise, the father is equally a pot bubbling over with emotional angst and frustration so vividly expressed in his response: I know. We might as well burn all our copies of Grapes of Wrath now that we have this tour de force. As amazing as it is, with only an eggshell of plot, McCarthy manages to run afoul of logic. The boy and his father come across shelters packed with food and water, and yet the father insists they move on.

Because they must keep moving so as to avoid encountering others. Clearly staying in one place is the best plan to avoid meeting others, hermit do it all the time. Yes, other people might wander into you, but you double that equation if you too are roaming. The only argument for pressing on with the journey is to find others. Of course, Duchamp's toilet Fountain was once voted "the most influential modern artwork of all time".

The Road is a dismal and poignant novel. A man and his son are trying to survive on a devastated possibly post-nuclear land, covered by ashes. They trudge through on a deserted road that doesn't seem to lead anywhere. They are starving. Occasionally, they either find some food or come up with a group of man-eating panhandlers. Not much of a plot to speak of in this book, and everything sounds like a pointless and painful attempt at surviving in a world that is already charred and dead — in a wa The Road is a dismal and poignant novel.

Not much of a plot to speak of in this book, and everything sounds like a pointless and painful attempt at surviving in a world that is already charred and dead — in a way, it reminded me of some of Samuel Beckett 's plays. There is at all times an undercurrent of danger and threat. Most descriptions are about landscapes or minute details: the man exploring abandoned houses or cobbling rusted things together. Most of the dialogues between the two main characters are about making sure the other one is okay. Cormac McCarthy's narration is extraordinarily subtle and pared-down. In the end, this might sound quite dull and gloomy indeed, but through it all, and mainly through the relationship between the father and his son, I was startled by the genuinely stirring sense of humanity, of compassion, of love, of hope that arises from this story.

Edit : Watched the movie starring Viggo Mortensen. View all 29 comments. And, ladies and gentlemen of Goodreads, here is the crazy thing. I just gave it two stars and moved on with my life. I have one theory though. It just feels right for some reason. Listening to the book forced me to slow down a little bit and take in the writing in a much different way. It allowed me to really savor the book and chew on the words a little bit before swallowing them. Not this time though. I love apocalyptic books anyway. I loved Station Eleven. The Stand is alright. I Am Legend was awesome. But, man, McCarthy comes in with The Road and you can literally feel the bleakness and the emptiness and the desperation in his writing.

You can see and smell the blackness and the ash and the cold. On to Blood Meridian!!!!! View all 34 comments. Jul 18, Lyn rated it really liked it. A good friend gave this to me to read. I told him I already had an audiobook working and he said, "you'll want to read this one". I could barely put it down. McCarthy's prose is simple, fable like, yet also lyrical, like a minamalistic poet. The portrait he has painted is dark and foreboding, difficult and painful, yet he carries "the fire" throughout, a spark of hope and love that must be his central message to the reader.

Having read the book, not sure if I want to see the film, i A good friend gave this to me to read. Having read the book, not sure if I want to see the film, it may spoil my vision of McCarthy's art. View all 57 comments. May 17, Annet rated it it was amazing Recommends it for: Emily and Esther. Shelves: favorites , favorite-author , heartbreaking , dark , apocalyptic , beautiful-poetic , family-ties , have-to-read-again , the-woods , coming-of-age. This book is shocking, loving, groundbreakingly impressive, beautifully written.

I read through it without breathing, I mean I just had to know what was coming on the next page, and cried several times. Without a doubt one of the best books, if not the best , I read, ever View all 18 comments. Jun 29, Ian rated it did not like it Shelves: best-sellers-that-suck , not-for-kids , unfulfilled-expectations. I just read some guy's review of The Road that contained the following: "In the three hours that I read this book I found myself crying, laughing, shouting, and most of the time my lip was trembling. As soon as I finished it, I sat there feeling numb, but not in a bad way, actually sort of like I was high.

I mean, really? Your lip was trembling? And you felt high? And your lip was trembling? Pherphuxake, what do you even say to someone like that? I have to consciously restrain myself from judging those of you who believe the book has merit. It's as though McCarthy deliberately designed his book to be the antithesis of what I think makes for quality reading. I make my home in the pretensions-and-self-indulgent camp.

I require no punctuation to convey my meaning. Indeed my message is too powerful to be contained by the same convention that restricts the middling novelist, too important to suffer the vandalism of punctuation. So punctuation is not the only suck-quotient factor here. Instead, I believe The Road sucks because it sucks every possible way a book can suck. I have an almost vehement reaction to The Road and to the rather large group of slobbering, screaming, panties-throwing admirers. In the interest of intellectual honesty, I challenged myself to figure out why this is. Why must I look down on people who love The Road with a feeling of disgusted superiority? Critics praise The Road but glibly waive off sci-fi as a genre for people who never grew out of their childlike amusement for light sabers or their adolescent fascination with space battles.

Sci-fi is relegated to its own awards and events, left out of consideration for broader literary honors, leaving me with the impression that the literary world does not perceive sci-fi to be real, legitimate literature. But from my point of view The Road is the adolescent work. By the standards under which I would judge a quality sci-fi novel or any quality novel , The Road is shallow and simple, along with unoriginal and obvious. It is beyond me how The Road can be the guest of honor while much deeper books with beautiful language and original, thought-provoking ideas are not even invited to the party because they happen to be sci-fi. They tell me The Road is rich and deep. They tell me to forget the quotation marks and the nameless characters and look at what McCarthy is trying to tell us.

The Road tells us this, and it talks about that, and speaks to this other thing. McCarthy please sign my boobs! The book was easy to read and simple to comprehend. Everything was right there on the surface, served with a spoon, and what we were served had no flavor, no spice, no originality. My problem is that, for something so beloved and critically acclaimed, for something written by a writer with such talent, The Road fails utterly, a shell without substance that collapses in upon itself in a heap of triteness and unoriginality.

To put it yet another way, The Road was just so goddamn boring. I want a book that makes me pay attention and use my noggin. I want to work at peeling back layers and making connections. When I find them, I want the author's ideas and insights to be original, edifying, and thought-provoking. I want artful prose, relatable characters, realistic motivations, and poetic plot points.

And guess what, I find no shortage of books on the sci-fi shelves that meet those criteria. There are plenty of truly excellent books of contemporary literature; I have read and enjoyed several, including one or two that have touched me deeply. Likewise there are plenty of truly excellent books on the sci-fi genre. My point is simply that, despite the dismissive attitude of many literary critics, the sci-fi shelves contain books that are as good as anything out there: books as rich and complex, as insightful and layered, as edifying and beautiful as anything in contemporary literature. So when something like The Road is hailed as a masterpiece while some truly brilliant works of sci-fi—works that could mop the floor with The Road in every facet— are acknowledged only by a roll of the eyes What a great and disturbing read.

You'll follow father and son walking cross country to the sea in an post apocalyptic world. Fellow human beings are hostile there is a distinction between good and bad guys but you'll only find the bad or indifferent ones. God is gone. Our two characters live day by day trying to survive. No positive outlook, rain and cold block their progress. Human race is almost extinct. The dialogues between father and son are short, like their daily portions of food. How What a great and disturbing read. How will this grim tale end? I won't tell but couldn't put this depressing but enthralling novel down. You don't want to walk a mile in the shoes of the main characters. Prose, language and style are masterly. To me definitely a candidate worth for the Nobel Prize.

Highly recommended! View all 30 comments. One of my favourite of all time. Loved everything. View all 7 comments. Aug 29, Dave Schaafsma rated it it was amazing Shelves: cli-fi-class-spr , fictionth-century , best-books-ever , science-fiction , dystopian , father-brother-sons-book , books-loved , environment. If you died I would want to die too. So you could be with me? So I could be with you. Sobbing as I do at the most intimate of losses, but feeling the intensity of any great passionate beauty, too. The beauty of a great book that helps you see what matters. A portrait of terrible desolation and human evil, but at the core of it are these great human possibilities.

The love of a father and his son. An amazing book. So powerful, understated, majestic, moving. Through Marlow s somewhat overenthusiastic eyes, we perceive the mystery that is humanity, and the blurred line between darkness and light. It is an expedition into the deepest crevices of the human heart and mind bringing on an awareness, and finally de scending into the abyss of hell abiding in each of us. Conrads book, the tale of the sailor Marlowes African adventure, is a study on the evils of colonialism. The two stories at first glance do not seem very similar, but after examining both, it is quite shocking the degree of similarity between the two. When one examines the motives for this imperialist attitude in each book, one notices that in both books the motivation for colonization revolves around the gaining of wealth.

However Conrad and Achebe define wealth differently. The relations between groups and classes of people that imperialism sets up, and that these two works explore, starkly reveals the contradictions within capitalism in a way that a similar piece of fiction set within one culture and dealing with characters from that culture alone cannot. It is written in the Romantic era where society greatly valued scientific and technological advancement.

Throughout the novel, Shelley expresses her concerns of extreme danger when man transgresses science and all ethical values are disregarded. The son is the only reason for the father to survive in the post-apocalyptic world. Although there are many themes in this novel, one theme that has great influence in the novel is the theme of paternal love. This paper will present the scenes that focus on the theme of the paternal love. While examining these scenes, the reader will see the unconditional love of a father for his son. Introduction Over the past decades, Australia, as a whole, has been facing the challenges of aging workforce which present difficulties not only for small business but also large enterprise. Proven by many researchers, niche capabilities and potential development of any organization are largely dependent on its employees.

Many business cases studies regard mature workers at the age of 45 and over are as ageing workforces who are believed to introduce difficulties in business planning and strategies to retain and sustain the balance in workforce within an organization. At the same time, it cannot be denied that the present of older generation within an organization is absolutely essential in term of providing necessary knowledge and working experiences to the younger generation worker.

Therefore, it is important for organizations to examine the implications of Australian ageing workforce in order to achieve its targets and development. This paper will discuss the demographics of Australian population and workforce. Benefit of mature workforce within an organization will also be addressed. The consequences of ageing workforce will in turn be examined by in term of Human Resource management as well as cost and productivity level of the company. Finally, this study attempts to indicate certain management measures to maximize the productivity of ageing workforce. The demographics of Australian population and workforce Firstly, it is essential to examine the Australian population as ageing within population will most likely lead to the ageing in the workforce.

It can be indentified that the current ageing population within Australia is primarily due to the rapid decreasing in the birth ratio. In the mean time, birth rate is considerably lower within Australia. The proportion of people aged 65 years and over in Australia has witnessed an increase of In addition, there is an increase in the average life expectancy as a result of the improvements in health and advances in medical service.

This emphasizes that there is currently a larger number of older people than ever before and according to Productivity Commission , this trend will continue for several decades. Furthermore, the current generations tend to marry in a later age and have fewer children than previous generation. According to Australia Bureau of Statistics [cat. Both males and females median age at marriage has been increasing gradually over the past 20 years.

Moreover, in recent decades, there has been tendency for women to delay childbearing until forties, not to mentioned some remained childless [Australia Institute of Health and Welfare cat. PER 50]. These have resulted in a rather low supply of young employees while older employees are retiring and leaving the workforce. Figure 1: Average age of full time workers and civilian population ages years Source: Parliamentary Library Over the past two decades, workforce has been ageing faster than the general population.

The chart indicates that the average age of the civilian population in is 2. On the other hand, an increase in the average of all full-time workers of 3. The workforce ageing faster than population is because of the participation of baby boomer women later in life. As a result of social reason such as financial pressure, there is an increase in the number of women in the labor market.

The average age of full-time female worker has risen by 5. Women have been moving to part-time jobs that have more advantages for them than previous decades. Another factor which impacts on the ageing workforce is hat there is currently a trend for mature aged worker to keep working past their retirement age as they still possess the physical capability to make a significant contribution to the economic growth of Australia. Essentially, with the advancement in medical system, people are able to have better health care and in turn live longer life.

Consequently, the working period of aging workers can be much longer as their ability and flexibility is still sufficient for the allocated tasks. This in turn affects the decision to retire as it is directly related to required physical capability. Benefits of a mature workforce Current status of ageing population is a controversial topic in society. This requires companies to pay more attention to older personnel resources. Majority of older employees believe that they are still at the peak of their job performance. Organizations with its main employees are matured workers; therefore, need to consider the benefit of its older generation staff in order to look for appropriate measures to attract and retain older workforce.

Firstly, flexibility, maturity and patience are one of the most important benefits of the ageing workforce. In addition, older employees can help company maintain a stable workforce, reliability, and dedication to work. Secondly, the older generation workers have higher working morality in punctuality as well as ensuring the completion of assigned tasks. Moreover, honesty is the common characteristics of older workers. They understand the value of life, the causes and effects of working and social relationships as well as responsibility. As a result, older generation workers will always come to ensure the integrity of their action by dedicating it to the truth. Furthermore, the intangible value of older workers is meticulous, thorough, focused and attentive which can help companies to deliver a higher quality work package and in turn gaining better niche reputation in the market.

Additionally, older workers are also valuable resources within a company as they have the ability to listen and understand the objective of a given task. Therefore, when they are allocated a duty, with certain working experiences, the mature workers know what needs to be done within the entire process to finish their job. They are likely to be more efficient and productive. Next, older employees tend to have more pride within their completed tasks in term of quality which can be difficult to find in younger employees. The younger employees are not attentive with the assigned work which can be completed without any further consideration on quality and improvement of their work. Comparatively, older employees will more likely to spend more time to measure and improve the quality of their given tasks.

Older employees understand that working for a company that has meaningful life rather than getting a monthly wage. They are more likely to spend more time, while receive similar wages to complete their assigned tasks as well as fulfilling their goal in life Besides, performance and trust, mutual sharing ideas and advice have made older workers become more ideal. These years of experience working in various fields had given the employees a great insight on how to have the work done more efficiently, saving more time and money for the company [NSW Business Chamber]. Compared to younger workers, older workers with broader experience have greater ability to solve certain problems such as communication or technical errors that might arise during the completion of their task.

With their good organizational, planning skills as well as competencies that are built over the years, the mature aged workers have the ability to face and troubleshoot errors without seeking advice from colleagues and high management. Moreover, through experience, older generation workforces also possess better communication skill to negotiate and persuade partners in order to achieve the objectives. These skills allow them to be flexible in a difficult situation. The better working practice and morality characterized older employees as essential resources which can lead to positive influence on other younger employees.

Consequently, they can become excellent teachers, the typical example, helping to train other staff to be more reliable and efficient [NSW Business Chamber]. In general, business owner should no longer wonder on whether or not to recruit older workers and should recognize benefits of ageing workforce. The competencies and reliability of older workers ensure that their recruitment become truly more productive and efficient than hiring a younger labor force. With the buildup experience as well as the ability to think thoroughly, older employees should be considered for further business recruitment.

Companies who value to the reliability, competencies and working morality within their employees should consciously consider hiring mature workforce. Consequences of an aging workforce The aging workforce in Australia has caused certain economic and social concerns such as labor shortage when personnel resources reach retirement stage, difficulty in planning [Shacklock ] and aged care workforce issue [Spoehn ] and [Kryger ]. This may lead to labor crisis which is forecasted with a shortage of 1.

In general, the labor shortage affects not only entrepreneurs but also the government. The shortage is mostly on scientific and technical fields which requires high level of knowledge as well as the necessary skilled and experience. To the government, high rate of retirement is possibly synonymous with social concern as well as welfare problems. Moreover, in the term of human resource, companies are also facing difficulties in personnel planning when choosing the suitable candidates for any specific tasks. For companies to succeed in their respective market human resource planning plays a significant role in term of delegating tasks effectively and efficiently.

According to various study, the longer the period of time an aging personnel works, the more difficult it is for human resource department to come up with a scheme to manage and sustain the workforce balance within a company. To clarify the aforementioned point, it is rather ambiguous for either human resource or management to predict the exact retirement day for an aging worker. If retirement day for aging worker is not clearly defined, human resource department may not be able to recruit the appropriate replacement in time to continue the delay works.

This delay works would in turn introduce costs in every aspect of the company as productivity level is reduced and it takes time and effort to find and train suitable candidate for the vacancy. Therefore, high level of collaboration as well as management had to be performed in order to produce an appropriate future personnel panning.