Choices And Consequences In Shakespeares Romeo And Juliet

Wednesday, January 26, 2022 4:52:06 AM

Choices And Consequences In Shakespeares Romeo And Juliet



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Romeo and Juliet Alternate Ending

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Our experts create writing masterpieces that earn our customers not only high grades but also a solid reputation from demanding professors. Don't waste your time and order our essay writing service today! Make the right choice work with writers from EssayErudite EssayErudite is an online writing company with over 10 years in academic writing field. Certified Writers Our writers hold Ph. Original Papers We have zero tolerance for plagiarism; thus we guarantee that every paper is written from scratch. Eventually, Macbeth accedes, though he has frightening visions warning him not to do it. But he does kill the king while he is sleeping; and Lady Macbeth, not liking the way he has described the scene, goes in and makes it look as if a drunken groom has committed the murder.

The rest of the play develops the implications of what the couple has done. Macbeth, who we were to see as a previously admirable character, albeit with ambition, develops into a monster, wanting to kill everyone and their heirs who might threaten his kingship. He ultimately realizes that the witches have deceived and seduced him. They told him to fear Macduff, and he avoids him, but has his children killed. They tell him to fear no man of woman born, and he thinks that means he is impregnable, but he later learns that Macduff was born through caesarean section, not from the womb. At that point, he realizes that he is doomed. He learns that Lady Macbeth is dead. The messenger does not tell him how she died, though later it is said that it is thought that she took her own life.

It is a tale told by an idiot, full of sound and fury, signifying nothing. And once he starts down that road, he cannot turn back, and ultimately becomes dreadful. The play has some of the most intensely powerful language in all of Shakespeare. It can be seen as providing a metaphor for the human character, and how it can be warped into something evil,, if the tendency is already there. We see that in this era, of course. Washington is probably better now at it than he was then, but he is pretty obviously a box-office choice, which hardly would have been the first time in movie casting, but there likely would have been better choices, if someone were actually trying to do a great rendition of the play. See if you can decide if this reviewer, who is named, or called, Valerie Complex, actually knows anything about the play, or Shakespeare, or if she is a person who likes movies and writes about celebrities, and then saw this movie, and tried to figure it out.

My reactions to the lines of this review are in parentheses. This movie sounds pretentious and wrong from the start. She has seen the other adaptations, or is this just fluff? Cheese, the lady is ready to make prophecy reality. The writers mostly lack much in the way of descriptive phrases, so have to use metaphors like this—for a Shakespeare play, no less. Ah, that is what happens? Thanks for summing it up. That is never implied. PTSD was only diagnosed as a disorder in the 20th century, although one could say that the symptoms of it long pre-existed that era.

But there is nothing in the text to indicate that Macbeth is suffering from battle fatigue. Try to read literature on the terms the writer sets, not throw modern jargon or conceptions in, when there is no text to support them. Okay, one more, and I will stop. Unfortunately, that did not turn out too well for the duo. Well, just one more. Every aspect of the production works in unison to execute his masterful vision of the Scottish play. His version of this story is one of the few that zeroes in on the fantasy and brings this to the foreground. What is she trying to express in that sentence? Why does she think that is is important to zero in on some fantasy, whatever that means?

Well, she liked it, and that is fine. Others will, too. Many people want some razzle-dazzle in films of plays. Main article: Love's Labour's Lost film. Shakespeare Studies. Archived from the original on 3 April Retrieved 15 July Love's Labour's Lost London: Arden, , pp. Tu-whit to-who". Archived from the original on 29 December Archived from the original on 24 September Lippincott Company, , pp. Anglo-Italian Renaissance Studies Series. Aldershot: Ashgate, pp. ISBN In Proudfoot, Richard; et al. The Arden Shakespeare complete works 2 ed. London: Thomson. Greenwood Press. The Western Canon. Houghton Mifflin Harcourt. Shakespeare Quarterly. JSTOR Studies in Philology. S2CID The Times. The Guardian. The New York Times. Archived from the original on 1 July The Telegraph.

Archived from the original on 20 June Tennysonian Love: The Strange Diagonal. Minneapolis: University of Minnesota Press. The Kenyon Review. Archived from the original on 4 August Retrieved 9 November The Groundling. New York: Dramatists Play Service. Archived from the original on 22 July Who TV. Archived from the original on 23 October Sanders, Julie. Archived from the original on 12 November Broadway World Chicago. Total Theatre. Bate, Jonathan and Rasmussen, Eric eds. Lippincott Company , Evans, G.

Blakemore ed. Love's Labour's Lost Shakespeare. William Shakespeare. Quarto publications First Folio Second Folio. The Passionate Pilgrim To the Queen. William Shakespeare 's Love's Labour's Lost. Authority control. France data United States. Categories : Love's Labour's Lost s plays English Renaissance plays British plays adapted into films Fiction set in the s Shakespearean comedies. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Wikimedia Commons Wikiquote Wikisource. Wikiquote has quotations related to: Love's Labour's Lost.